Marvel & DC Omnibus

This omnibus gathers Saladin Ahmed's entire Miles Morales: Spider-Man (2018) run in one oversized hardcover, from Miles building his own rogues' gallery in Brooklyn to the game-changing arrival of Ultimatum, the ruthless variant who claims to be Miles from another reality. It ties into Absolute Carnage and closes with Miles Morales: The End, giving readers the complete, in-order story behind the character who broke out through Into the Spider-Verse and the Insomniac games.

The book that finally brings Marvel's cult Micronauts back into print from the very first issue. Bill Mantlo built a full cosmic mythology out of Mego's toy line, and Michael Golden's landmark art made it one of the most striking Marvel debuts of its era. This first omnibus gathers the run's opening arcs, from the flight out of the Microverse to the Baron Karza war, long expensive and hard to find on the back-issue market.

This second omnibus opens with the explosive six-part origin of the Microverse, then follows Commander Rann and his rebels as they race to find three keys and stop the mad King Argon, cross into the X-Men's Danger Room pursued by the metamorph Huntarr, and confront the returning Baron Karza. It gathers the deep-cut stretch of Bill Mantlo's cult run that Marvel kept out of print for decades, drawn by Pat Broderick, Gil Kane and Butch Guice.

Swamp Thing by Nancy A. Collins Omnibus collects the acclaimed horror-novelist's run on the character — the first extended female-authored Swamp Thing, following the legendary tenures of Alan Moore and Rick Veitch. Collins steers the title into darker Southern-gothic territory: Swamp Thing and Abby's family life, ecological menace and the return of old enemies like Anton Arcane. A key early-Vertigo horror chapter, collected complete with bonus material including the unpublished "Arcane Blood" proposal. Art by Phil Hester, Scot Eaton and Russ Braun.

Secret Six by Gail Simone Omnibus Vol. 1 collects one of DC's most beloved cult runs — a book about villains that has more heart than most hero comics. Born from Villains United, the Six are a rotating band of C- and D-list rogues who take the jobs no one else will and, against the odds, become a family: Catman, Deadshot, Ragdoll, Scandal Savage, Bane and more. Gail Simone balances brutal action, dark comedy and real emotional stakes, and the run is famous for turning Catman from a punchline into a genuine badass. Art by Dale Eaglesham, Nicola Scott and Jim Calafiore.

Hitman by Garth Ennis and John McCrea Omnibus Vol. 1 collects one of DC's great hidden-gem runs. Tommy Monaghan is a Gulf War veteran turned contract killer in the Cauldron, a rough Irish corner of Gotham; a alien bite leaves him with X-ray vision and telepathy, and he sets himself up as the hitman who specializes in killing super-people. Ennis and McCrea — years before their creator-owned fame — blend savage dark comedy with genuine pathos and one of comics' great supporting casts, the regulars of Noonan's bar. Brutal, funny and unexpectedly moving.

The Planetary Omnibus collects the complete Warren Ellis and John Cassaday series — one of the most acclaimed comics of its era. Planetary is a secret organization of "archaeologists of the impossible": Elijah Snow, Jakita Wagner and the Drummer, uncovering the buried superhuman history of the 20th century. Every issue is a self-contained mystery and a homage to a piece of pulp or genre fiction — Doc Savage, the Shadow, kaiju, the Fantastic Four reimagined as villains — building into a single grand tapestry. Cassaday's widescreen art (with Laura Martin) is among the finest of the period. The whole saga plus all crossovers in one volume.

The Question by Dennis O'Neil & Denys Cowan Omnibus Vol. 2 concludes the acclaimed run on Vic Sage — the faceless philosopher-vigilante of Hub City. It collects the final issues of the 1987 series plus the follow-up material: The Question Quarterly, the Green Arrow team-up annuals, The Brave and the Bold and later specials. O'Neil and Cowan bring their mature, Zen-inflected crime drama to its close, deepening Vic's introspection and his war on a broken city. The essential second half of one of DC's great late-1980s runs.

The Question by Dennis O'Neil & Denys Cowan Omnibus Vol. 1 collects the acclaimed late-1980s reinvention of Vic Sage — the faceless investigative-journalist vigilante who directly inspired Watchmen's Rorschach. After a near-fatal beating by Lady Shiva, Vic is trained by Richard Dragon in martial arts and Zen, turning a rigid crusader into a man who questions his own methods. It's a mature, philosophical crime drama set in corrupt Hub City, praised for O'Neil's literary writing and Cowan's expressionistic art — including issue #17, where Vic reads Watchmen and confronts his own successor.

JSA by Geoff Johns Omnibus Vol. 3 closes out the original series and opens the acclaimed 2007 relaunch, Justice Society of America. It gathers the "Lightning Saga" JLA/JSA crossover and the celebrated "Thy Kingdom Come" — the epic where the Superman of Kingdom Come crosses into the main DC Universe. Dale Eaglesham becomes the signature artist of the relaunch, under iconic Alex Ross covers, in the run that broke Stargirl out as a marquee character. The definitive Johns JSA reaches its high point.

JSA by Geoff Johns Omnibus Vol. 2 collects the team's most celebrated middle era. Now firmly Geoff Johns's book (with David S. Goyer co-writing much of the stretch), the Justice Society becomes a DC flagship through arcs like "Princes of Darkness," "Black Reign" — the Black Adam turn that reshaped the character — and "Waking the Sandman." The legacy-mentorship dynamic deepens as the old guard and the new generation are tested. Core art by Leonard Kirk and Don Kramer, with Rags Morales and others.

JSA by Geoff Johns Omnibus Vol. 1 collects the 1999 relaunch that made the Justice Society one of DC's flagship titles. Launched by James Robinson and David S. Goyer and quickly defined by Geoff Johns, it reassembles comics' original super-team around a legacy premise: Golden Age veterans mentoring a new generation. This volume introduces Stargirl — a character Johns created in memory of his sister — and delivers the signature early arcs, from "Justice Be Done" to "The Return of Hawkman" and "Virtue and Vice." Art by Stephen Sadowski and Rags Morales.

Nightwing by Tom Taylor and Bruno Redondo Omnibus Vol. 2 completes the Eisner-winning modern run. Dick Grayson, having inherited a fortune from Alfred Pennyworth, keeps trying to fix Blüdhaven with it rather than just fighting its crime — alongside his three-legged rescue dog Haley and his fully-committed romance with Barbara Gordon. This volume brings the run to its conclusion, deepening the fight against crime boss Blockbuster and the masked killer Heartless. Warm, optimistic writing and Redondo's inventive, experimental page layouts made this the definitive modern Nightwing.

Injustice 2 keeps asking what happens after a world has already been broken by its heroes. Tom Taylor returns to a DC universe where trust is scarce, power has consequences and every alliance carries the memory of Superman’s regime. The result is not just a fighting-game tie-in; it is a sharp alternate-DC political thriller about rebuilding after tyranny.

Tom Taylor’s Titans treats the team as more than former sidekicks stepping into bigger costumes. Nightwing, Donna Troy, Raven, Beast Boy, Starfire and the rest carry friendship, trauma and legacy into a DC world that needs them to become adults in public. This omnibus is for readers who like superhero teams when the emotional history matters as much as the threat.

John Ostrander and Tom Mandrake keep The Spectre in the uncomfortable space between divine justice and human damage. This second omnibus leans into judgment, guilt, faith and horror, with Jim Corrigan caught inside a force that can punish almost anything but cannot easily understand mercy. It is DC supernatural storytelling at its most severe and morally haunted.

The Spectre by Ostrander & Mandrake Omnibus Vol. 1 takes DC's spirit of vengeance into moral horror rather than simple punishment. John Ostrander and Tom Mandrake make the question uncomfortable: what does justice mean when the being delivering it has almost unlimited power and very little human softness left?

The Authority Omnibus Vol. 2 follows the team's dangerous space between rescue and political force, shaped by intervention, power, violence and the uncomfortable line between protection and control. The appeal is seeing this DC period collected as one reading path, with its own tone, cast and visual rhythm.

The Authority arrives like a superhero team with no patience for polite rules. Warren Ellis, Bryan Hitch, Mark Millar and Frank Quitely push widescreen action, political violence and impossible scale into a book that helped change what modern team comics could look like. This is not cozy heroism; it is power used loudly, controversially and with world-changing intent.

Hawkman by Geoff Johns Omnibus rebuilds Carter Hall around reincarnation, ancient violence and a love story that never arrives cleanly. Geoff Johns, Rags Morales and the art team turn Hawkman into a hero haunted by all the lives he has already lived, with wings that feel as much like a burden as a weapon.

Continuing the Silver Age Supergirl saga, this second volume collects stories from Action Comics #308-376 as Kara Danvers enrolls at Stanhope College and juggles her dual identity while facing cosmic threats. Supergirl encounters Lex Luthor's sister Lena Thorul, battles alongside the Legion of Super-Heroes, and considers leaving Earth for a planet of super-powered women. These stories showcase Supergirl coming into her own as a hero independent of Superman. The perfect companion to Volume 1.

Supergirl: The Silver Age Omnibus Vol. 1 is Kara Zor-El's historical foundation, built around secrecy, adolescence, Kryptonian legacy and the challenge of becoming a hero while living in Superman's shadow. The appeal is not modern decompression but origin texture: Linda Lee, hidden powers, family loss and the gradual construction of Supergirl as her own DC figure. For a character shelf, this is the place where Kara's long publishing identity really begins.

The Joker’s Bronze Age stories capture the character after camp has curdled back into danger. The smile is still theatrical, but the menace grows sharper, with creators like Dennis O’Neil, Martin Pasko, Irv Novick, Jim Aparo and José Luis García-López shaping a Joker who can be absurd, stylish and genuinely frightening in the same breath.

Forever Evil Omnibus flips the DC universe into a villain-led event where the heroes are gone and the people left standing are exactly the ones nobody should trust. Geoff Johns and David Finch build a dark mirror of the Justice League, with Lex Luthor and other villains forced into the uncomfortable role of saving a world they usually exploit.