Marvel & DC Omnibus

Following DC Rebirth in 2016, Tomasi and Gleason write a father Superman: not a loner or a Clark Kent in crisis, but a man who has to teach his son Jonathan Kent what it means to have powers. The most emotionally accessible Superman of the last decade and an answer to anyone who ever wondered how to tell a story about the character that isn't a fight.

Geoff Johns begins his Flash run by making Keystone City feel alive and making Wally West feel human again. The speed is there, but the real hook is how Johns rebuilds the world around Wally: the Rogues, Iron Heights, the people he protects and the enemies who understand him too well. This first omnibus is a strong entry point for readers who want modern Flash with crime texture, legacy weight and a city that matters.

Super Sons works because Damian Wayne and Jon Kent are exactly the wrong boys to put in a partnership, which makes them perfect together. One is sharp, arrogant and trained by Batman; the other is open-hearted, powerful and still learning what being Superman's son means. Peter J. Tomasi and Patrick Gleason turn that clash into one of DC's most charming modern books: friendship, rivalry, chaos and legacy at kid scale without losing superhero stakes.

Strange Academy launched in 2020 as Marvel's answer to the magical school genre — a Doctor Strange-run institution for young magic users from across the Marvel Universe and beyond. Skottie Young brings a tone that balances genuine darkness with adventure-forward storytelling, creating something that reads freshly compared to most Marvel launches of its era. Collects Strange Academy #1–18 (). The school roster includes students from Asgard, New Orleans, Limbo, and the Dark Dimension.

Jason Aaron's Avengers Forever is the cosmic-scale companion to his main Avengers run — a multiverse-spanning series bringing together Avengers variants from across the Marvel omniverse to battle the Multiversal Masters of Evil, a team of the most dangerous villains from different realities assembled by a version of Doom who conquered his entire universe. Aaron used the multiverse premise to comment on the Avengers concept itself, asking what the team means when its existence replicates across every possible reality.

Peter David returns to the black-suit era with the fun question every symbiote reader asks: what else happened before Peter understood what the costume really was? This omnibus fills that dangerous gap with Mysterio, Hobgoblin, Doctor Strange, Kang, Knull, Hulk, Black Cat trouble and even a 2099 detour for Miguel O'Hara. It is Spider-Man symbiote material with modern pace, old-school continuity hooks and a direct road toward Venom mythology.

Daredevil by Chip Zdarsky Omnibus Vol. 1 begins with Matt Murdock shattered after a violent mistake in Hell's Kitchen. Zdarsky and Marco Checchetto rebuild Daredevil through guilt, faith, law and Wilson Fisk's New York, while Elektra moves closer to the centre of the mythos.

Batman Eternal Omnibus is Gotham as a pressure cooker: conspiracies, gang wars, corrupt systems and Bat-family threads colliding until the city feels too big for one hero to hold alone. Scott Snyder, James Tynion IV, Tim Seeley and the art team turn the weekly format into a sprawling urban thriller.

Donny Cates and Ryan Ottley reimagined the Hulk for a new era with a concept that is both simple and genuinely disturbing: Bruce Banner has trapped the Savage Hulk inside a mental construct resembling a massive starship, piloting him like a weapon. The Starship Hulk premise allowed Cates to explore the Banner/Hulk relationship in a fresh way while Ottley — best known for his decade-long run on Invincible — brought explosive, large-scale action that pushed the book's visual ambition to new heights. This is one of the most distinctive modern Hulk runs, collecting a complete creative vision in a single oversized volume.

Al Ewing reinterprets the Hulk as a horror comic. Radical premise: by day Banner is dead, by night he returns. Mixes body horror, existential reflection, political critique and superheroic action in one package. Art by Joe Bennett in line with Bernie Wrightson on Swamp Thing. Eisner-nominated, critically acclaimed contemporary cult work.

Agent Venom Omnibus is the moment Venom stops being only Spider-Man's nightmare and becomes Flash Thompson's second chance. Rick Remender turns the symbiote into a black-ops weapon with a damaged hero inside it, built around addiction, military trauma and the desire to be useful. The run works because Flash is never simply cool in the suit: Secret Avengers missions, alien violence and the symbiote's hunger keep pulling against his attempt to control both the mission and himself.

Aquaman by Geoff Johns Omnibus restores Arthur Curry as a king caught between ridicule, responsibility and the violent pull of Atlantis. Geoff Johns, Ivan Reis, Joe Prado and Paul Pelletier make the ocean feel royal, dangerous and political, turning Aquaman into a lead who has to prove himself on land and underwater.

Batman: The Hush Saga Omnibus collects the original Hush storyline and the wider stories that grew from it. Jeph Loeb and Jim Lee's central mystery sends Batman through Gotham's rogues while the larger omnibus follows Hush's revenge against Bruce Wayne across later connected material.

The Animal Man Omnibus collects Grant Morrison's complete, career-launching run. Morrison reinvents B-list hero Buddy Baker — a stuntman and family man who draws powers from the "morphogenetic field" — as an animal-rights activist grappling with real ethical weight. The run grows famously metafictional, building to the moment Buddy literally meets his own writer. Blending superheroics with environmental and philosophical themes, it is one of the landmark works that helped seed the Vertigo imprint. Art by Chas Truog, covers by Brian Bolland.

Wonder Woman by Phil Jimenez Omnibus collects one of Diana's most character-rich modern DC runs in an 856-page oversized hardcover. The volume follows Wonder Woman through Gotham, Washington, Themyscira, family conflict, public responsibility and the wider DC Universe, with Phil Jimenez shaping the book as both writer and defining artist.

Paul Dini writes Zatanna like a stage magician who knows the trick can still kill her. Glamour, wit, demons, old debts and impossible spells all sit under the spotlight, giving the book theatrical charm without sanding away the danger. This is Zatanna as the lead act, not just a guest star in someone else's magic story.

Gail Simone turns Birds of Prey into a team book with bite: sharp dialogue, espionage tension, damaged trust and women who refuse to be reduced to support roles. Oracle, Black Canary and Huntress give the series its pulse, moving between covert missions and emotional fallout with a chemistry that still feels fresh.

Nightwing: The Prince of Gotham Omnibus follows Dick Grayson through the New 52 period, where Haly's Circus, Gotham's secrets and Forever Evil push his public and private identities to breaking point. Kyle Higgins writes Nightwing as mobile, exposed and emotionally open in a way that separates him from Batman's shadow. The value is character clarity: this is Dick trying to own the symbol, the city connections and the cost of being seen.

The Flash by Geoff Johns Omnibus Vol. 3 focuses on Geoff Johns's Flash mythology, with the Flash family shaped by Rogues, legacy, Speed Force consequences and emotional pressure around the costume. The appeal is not only continuity; it is watching a specific DC period find its tone, cast and visual rhythm.

Nightwing by Tom Taylor and Bruno Redondo Omnibus Vol. 1 brings Dick Grayson back to Blüdhaven with Barbara Gordon close by, Heartless in the shadows and a run built around legacy, warmth and danger.

Batman: Knightfall Omnibus Vol. 3 closes the saga with KnightsEnd, as Bruce Wayne retrains with Lady Shiva and moves to reclaim the Batman mantle. Jean-Paul Valley's new Batman keeps escalating, while Robin and Nightwing help watch the damage caused by a symbol losing its moral centre.

Batman: Knightfall Omnibus Vol. 2 collects Knightquest, the middle movement of the saga where Jean-Paul Valley takes over as Batman. Gotham gets a more violent Dark Knight, while Scarecrow, the Joker, Gunhawk and others test what happens when the symbol is worn without Bruce Wayne's restraint.

Batman: Detective Comics by Mariko Tamaki Omnibus follows Bruce Wayne after the loss of his fortune, with Gotham turning harder against vigilantes and Batman forced to work without many of the tools he once relied on. The run brings Huntress, Nightwing and old enemies back into a city that is changing under his feet.

Spider-Man: The Complete Black Costume Saga Omnibus follows the strange new suit from power boost to alien threat, setting up one of the most important changes in Peter Parker's world.