Wonder Woman by Gail Simone Omnibus

Injustice began as a tie-in to the fighting game and became one of DC's longest-running alternate universes, built on a single irreversible act: the Joker tricks Superman into killing Lois Lane and their unborn child. Injustice works because it takes its premise seriously: the heroes who side with Superman have reasons, and the ones who oppose him lose. It is the most accessible DC alternate universe on the shelf, with no continuity required, and this omnibus replaces three years of scattered digital-first collections with a single volume.

Wonder Woman: Rebirth by Greg Rucka Omnibus collects Rucka's return to the character, built around a problem no other writer had dared name: after years of reboots, Diana's own memories no longer agree with each other. The run alternates between a present-day investigation and a retold origin, with art by Liam Sharp and Nicola Scott, and turns continuity chaos into the actual subject of the story.

This third New Edition volume gathers the final stretch of William Moulton Marston and Harry G. Peter's original Wonder Woman run, with Joye Murchison and Robert Kanigher joining as Marston's health declined. Diana faces the criminal cartel Villainy Inc. led by Eviless, while her Amazon lore, Paradise Island, and the loving submission themes reach their fullest Golden Age form. These stories, meticulously restored, capture the character right before her creator's death reshaped the title.

Wonder Woman by George Pérez, collected complete as a pack of 3 oversized omnibus volumes and cheaper than buying them one by one. Wonder Woman by George Pérez Omnibus Vol. 1 focuses on George Pérez's relaunch of Diana, with Wonder Woman shaped by myth rebuilt, Amazon history restored and a heroine written through diplomacy, strength and compassion. The appeal is not only continuity; it is watching a specific DC period find its tone, cast and visual rhythm. Wonder Woman by George Perez Omnibus Vol. 2 expands the world Perez rebuilt around Diana, letting mythology, politics and character drama grow together. It is a confident continuation of the era that gave Wonder Woman renewed dignity, visual richness and a clear place at the centre of her own legend. Wonder Woman by George Pérez Omnibus Vol. 3 follows the closing stretch of Pérez's Diana, shaped by myth, diplomacy, moral courage and battles that test what Diana believes rather than just what she can survive. The appeal is seeing this DC period collected as one reading path, with its own tone, cast and visual rhythm.

Brian Azzarello and Cliff Chiang rewrote Wonder Woman for the New 52 as Greek mythology rather than superheroics: a family drama where the family are gods. Chiang and Azzarello redesign the entire Greek pantheon as unnerving modern figures, and the horror register they use for the gods is unlike anything else in DC's line. It is the most critically praised Wonder Woman run of the modern era and it reads completely standalone.

Wonder Woman by George Pérez Omnibus Vol. 3 follows the closing stretch of Pérez's Diana, shaped by myth, diplomacy, moral courage and battles that test what Diana believes rather than just what she can survive. The appeal is seeing this DC period collected as one reading path, with its own tone, cast and visual rhythm.

George Pérez wrote and drew Wonder Woman after Crisis on Infinite Earths, rebuilding the character from the Greek myths up. This second omnibus covers the run's later years. Pérez treats the Amazons as an actual civilisation with politics and religion, and Diana as a diplomat rather than a soldier. This volume contains the war with the Amazons of Bana-Mighdall and the Cheetah's origin, and Pérez's page compositions are as dense as anything in his Teen Titans work.

Wonder Woman by George Pérez Omnibus Vol. 1 focuses on George Pérez's relaunch of Diana, with Wonder Woman shaped by myth rebuilt, Amazon history restored and a heroine written through diplomacy, strength and compassion. The appeal is not only continuity; it is watching a specific DC period find its tone, cast and visual rhythm.

Secret Six by Gail Simone Omnibus Vol. 1 collects one of DC's most beloved cult runs — a book about villains that has more heart than most hero comics. Born from Villains United, the Six are a rotating band of C- and D-list rogues who take the jobs no one else will and, against the odds, become a family: Catman, Deadshot, Ragdoll, Scandal Savage, Bane and more. Gail Simone balances brutal action, dark comedy and real emotional stakes, and the run is famous for turning Catman from a punchline into a genuine badass. Art by Dale Eaglesham, Nicola Scott and Jim Calafiore.

The second Birds of Prey omnibus continues Gail Simone's run, with the team taking on covert work and the personal costs that come with it. The Spy Smasher arc is where Oracle nearly loses control of the team to a government handler, and it is the run's clearest statement of what Barbara Gordon is: someone whose real power is information and who will not surrender it. Simone also gives Huntress the best character work of her career here.

The complete Batgirl Returns run collects Barbara Gordon's return to the cape and cowl in Gail Simone's defining series. After years as Oracle — the information broker and strategist who defined her post-injury career — Barbara Gordon reclaims the Batgirl identity in a run that addresses trauma, recovery, and identity with genuine emotional intelligence. Ardian Syaf provides dynamic, expressive art. Simone writes Barbara as the most complete character in the Batman family — smart, brave, complicated, and genuinely funny.

Gail Simone's Birds of Prey is the run that made Oracle, Black Canary and Huntress one of DC's most durable teams, built on competence rather than superpowers. Simone writes Barbara Gordon as the most dangerous person in any room she is in, which is the correct read and one very few writers managed. The Lady Shiva arc is the run's peak — a fight Black Canary cannot win and has to survive anyway — and the humour never undercuts the threat.