Injustice: Gods Among Us Omnibus Vol. 1-2

Injustice began as a tie-in to the fighting game and became one of DC's longest-running alternate universes, built on a single irreversible act: the Joker tricks Superman into killing Lois Lane and their unborn child. Injustice works because it takes its premise seriously: the heroes who side with Superman have reasons, and the ones who oppose him lose. It is the most accessible DC alternate universe on the shelf, with no continuity required, and this omnibus replaces three years of scattered digital-first collections with a single volume.

Injustice 2 continues the world of the fighting game, five years after Superman's regime fell and with the survivors trying to rebuild a planet that no longer trusts anyone in a cape. Tom Taylor treats the aftermath seriously: Batman has won and now has to govern, which he is worse at than fighting. The book is also a clean entry point, no prior comics required, only the premise, and it gives Damian Wayne, Harley Quinn and the Suicide Squad some of their best material outside continuity.

Injustice: Gods Among Us Omnibus Vol. 2 collects the second half of Tom Taylor's prequel to the videogame, as Superman's Regime hardens into open dictatorship and Batman's insurgency runs out of people willing to die for it. The series is famous for making a premise that sounds ridiculous on paper genuinely devastating.

PRH presents this as Tom Taylor and Bruno Redondo's Nightwing run collected in omnibus format. The hook is Dick Grayson returning to his own city and identity, with the book balancing street-level heroics, found family and a new enemy built specifically for this era. This is a strong modern Nightwing shelf for readers who want Dick Grayson as the lead, not only as part of the Batman family. The tone is cleaner, more emotional and more hopeful than many Gotham-adjacent runs, without losing the danger around Blüdhaven.

Injustice began as a tie-in to the fighting game and became one of DC's longest-running alternate universes, built on a single irreversible act: the Joker tricks Superman into killing Lois Lane and their unborn child. Injustice works because it takes its premise seriously: the heroes who side with Superman have reasons, and the ones who oppose him lose. It is the most accessible DC alternate universe on the shelf, with no continuity required, and this omnibus replaces three years of scattered digital-first collections with a single volume.

Tom Taylor's DCeased delivers the Anti-Life Equation as a digital virus and lets it move through the Justice League at the speed of their own abilities. The horror comes from competence turned against itself: Superman flies, so the infection flies. Unlike most zombie crossovers Taylor writes the losses as losses, spending pages on relationships before he destroys them. It needs no continuity and it is the best-selling book of its kind DC has published.

Nightwing by Tom Taylor, collected complete as a pack of 2 oversized omnibus volumes and cheaper than buying them one by one. Nightwing by Tom Taylor and Bruno Redondo Omnibus Vol. 1 brings Dick Grayson back to Blüdhaven with Barbara Gordon close by, Heartless in the shadows and a run built around legacy, warmth and danger. Nightwing by Tom Taylor and Bruno Redondo Omnibus Vol. 2 completes the Eisner-winning modern run. Dick Grayson, having inherited a fortune from Alfred Pennyworth, keeps trying to fix Blüdhaven with it rather than just fighting its crime, alongside his three-legged rescue dog Haley and his fully-committed romance with Barbara Gordon. This volume brings the run to its conclusion, deepening the fight against crime boss Blockbuster and the masked killer Heartless. Warm, optimistic writing and Redondo's inventive, experimental page layouts made this the definitive modern Nightwing.

Tom Taylor and Bruno Redondo's Nightwing won an Eisner and is the most acclaimed run the character has ever had, built on Dick Grayson inheriting a fortune and deciding to give it away. Redondo's art is the reason this run is famous: issue #87's single-shot chase drawn as one continuous panel, and layouts that keep finding new ways to show movement. Taylor writes Dick as relentlessly decent, which in a Bat-book is a genuinely radical choice. It reads perfectly well without the first volume.

Tom Taylor's Titans is the modern era of the team, in which the former sidekicks take over as the DC Universe's primary superhero team after the Justice League disbands. The premise is the payoff of forty years of setup: Nightwing, Starfire, Beast Boy and Raven finally being the adults in charge rather than the next generation. Beast World is the test, a global crisis where the team has to make the calls the League used to make, and does not get them all right.

Injustice 2 continues the world of the fighting game, five years after Superman's regime fell and with the survivors trying to rebuild a planet that no longer trusts anyone in a cape. Tom Taylor treats the aftermath seriously: Batman has won and now has to govern, which he is worse at than fighting. The book is also a clean entry point, no prior comics required, only the premise, and it gives Damian Wayne, Harley Quinn and the Suicide Squad some of their best material outside continuity.

Earth 2: The New 52 Omnibus Vol. 1 follows an alternate DC world after its icons are gone, shaped by legacy, war, replacement heroes and families trying to grow in the wreckage. The appeal is seeing this DC period collected as one reading path, with its own tone, cast and visual rhythm.