Wonder Woman

Injustice: Gods Among Us, collected complete as a pack of 2 oversized omnibus volumes and cheaper than buying them one by one. Injustice 2 keeps asking what happens after a world has already been broken by its heroes. Tom Taylor returns to a DC universe where trust is scarce, power has consequences and every alliance carries the memory of Superman’s regime. The result is not just a fighting-game tie-in; it is a sharp alternate-DC political thriller about rebuilding after tyranny. Injustice: Gods Among Us Omnibus Volume 1 collects the opening three-year block of the Injustice saga in one huge hardcover, giving DC readers a brutal alternate-universe shelf built around Superman's fall, Batman's resistance and a world under authoritarian pressure.

Wonder Woman by George Pérez, collected complete as a pack of 3 oversized omnibus volumes and cheaper than buying them one by one. Wonder Woman by George Pérez Omnibus Vol. 1 focuses on George Pérez's relaunch of Diana, with Wonder Woman shaped by myth rebuilt, Amazon history restored and a heroine written through diplomacy, strength and compassion. The appeal is not only continuity; it is watching a specific DC period find its tone, cast and visual rhythm. Wonder Woman by George Perez Omnibus Vol. 2 expands the world Perez rebuilt around Diana, letting mythology, politics and character drama grow together. It is a confident continuation of the era that gave Wonder Woman renewed dignity, visual richness and a clear place at the centre of her own legend. Wonder Woman by George Pérez Omnibus Vol. 3 follows the closing stretch of Pérez's Diana, shaped by myth, diplomacy, moral courage and battles that test what Diana believes rather than just what she can survive. The appeal is seeing this DC period collected as one reading path, with its own tone, cast and visual rhythm.

Wonder Woman by George Pérez Omnibus Vol. 1 focuses on George Pérez's relaunch of Diana, with Wonder Woman shaped by myth rebuilt, Amazon history restored and a heroine written through diplomacy, strength and compassion. The appeal is not only continuity; it is watching a specific DC period find its tone, cast and visual rhythm.

Wonder Woman by Greg Rucka Omnibus gives Diana a run built on diplomacy, public scrutiny and myth rather than simple superhero spectacle. Rucka treats Wonder Woman as an ambassador with enemies in both Olympus and the modern world, supported by grounded political tension and the moral weight of representing Themyscira. The result is a character-led DC omnibus for readers who want Diana's ideals tested in public, private and divine arenas without reducing her to a supporting Justice League icon.

Wonder Woman by George Pérez Omnibus Vol. 3 follows the closing stretch of Pérez's Diana, shaped by myth, diplomacy, moral courage and battles that test what Diana believes rather than just what she can survive. The appeal is seeing this DC period collected as one reading path, with its own tone, cast and visual rhythm.

This third New Edition volume gathers the final stretch of William Moulton Marston and Harry G. Peter's original Wonder Woman run, with Joye Murchison and Robert Kanigher joining as Marston's health declined. Diana faces the criminal cartel Villainy Inc. led by Eviless, while her Amazon lore, Paradise Island, and the loving submission themes reach their fullest Golden Age form. These stories, meticulously restored, capture the character right before her creator's death reshaped the title.

Brian Azzarello and Cliff Chiang rewrote Wonder Woman for the New 52 as Greek mythology rather than superheroics: a family drama where the family are gods. Chiang and Azzarello redesign the entire Greek pantheon as unnerving modern figures, and the horror register they use for the gods is unlike anything else in DC's line. It is the most critically praised Wonder Woman run of the modern era and it reads completely standalone.

Wonder Woman by Phil Jimenez Omnibus collects one of Diana's most character-rich modern DC runs in an 856-page oversized hardcover. The volume follows Wonder Woman through Gotham, Washington, Themyscira, family conflict, public responsibility and the wider DC Universe, with Phil Jimenez shaping the book as both writer and defining artist.

George Pérez wrote and drew Wonder Woman after Crisis on Infinite Earths, rebuilding the character from the Greek myths up. This second omnibus covers the run's later years. Pérez treats the Amazons as an actual civilisation with politics and religion, and Diana as a diplomat rather than a soldier. This volume contains the war with the Amazons of Bana-Mighdall and the Cheetah's origin, and Pérez's page compositions are as dense as anything in his Teen Titans work.

Wonder Woman by Gail Simone Omnibus collects the longest run any woman has written on the character, and the one most often named when readers argue about the best modern Wonder Woman. Simone writes Diana as a warrior who genuinely enjoys the fight, surrounds her with a real supporting cast, and never treats compassion and violence as opposites. Includes the landmark issue #600.

Wonder Woman: Rebirth by Greg Rucka Omnibus collects Rucka's return to the character, built around a problem no other writer had dared name: after years of reboots, Diana's own memories no longer agree with each other. The run alternates between a present-day investigation and a retold origin, with art by Liam Sharp and Nicola Scott, and turns continuity chaos into the actual subject of the story.

Wonder Woman by John Byrne Omnibus collects the run in which Byrne wrote and drew Diana himself, introduced Cassie Sandsmark as Wonder Girl, and killed Diana off to make her a goddess on Olympus. It is the most eventful stretch of 1990s Wonder Woman and the source of characters still in use today.

An oracle tells Wonder Woman that the Justice League will die fighting a dragon, so she takes the League out of the fight herself, one member at a time, and goes alone. Christopher Moeller painted the entire book, and it remains the best argument that Diana is the most dangerous person on the team.

Azzarello and Chiang threw out the Amazon utopia and rebuilt Wonder Woman as Greek myth done properly: a family of gods who are cruel because that is what gods are, and a daughter caught in their politics. Blood and Guts collects the opening of the run everyone still points to.

The original Wonder Woman, written by the psychologist who invented the lie detector and drew on his own theories about submission, dominance and a better world run by women. Marston and Harry G. Peter's comics are far stranger than their reputation and this is where they start.

The sixth and final Golden Age volume covers the handover: Marston is dead, Robert Kanigher takes the book over, and Harry G. Peter keeps drawing it until the end of the era. It is the last stretch of the original Wonder Woman before the Silver Age reinvented her.

The Silver Age Wonder Woman is a different book entirely: Wonder Girl, Wonder Tot, Mer-Boy, impossible machines and a version of Paradise Island run on pure invention. Kanigher and Ross Andru made comics for children that are far weirder than anything aimed at adults.

The third Silver Age volume runs the series into the late 1960s, where the impossible romances and the Wonder Family finally give way to the changes that would strip Diana of her powers entirely. Kanigher keeps writing it at full speed until the very end.

Diana has given up the identity, Donna Troy is wearing the costume, and the villains show up to take advantage of a Wonder Woman who is not the real one. Heinberg and the Dodsons wrote the relaunch that had to answer, in public, what the character is actually for.

Classic Wonder Woman stories from the Silver Age collected together in stunning hardcover! Fans of the Amazon warrior won't want to miss this brilliant collection of 1960's comics. Picking up where Wonder Woman: The Silver Age Omnibus Vol. 1 leaves off,