Marvel Comics

The Avengers Omnibus Vol. 2

The second Avengers omnibus continues the Silver Age run through the period when the team fully established its identity distinct from its founding members — the Cap's Kooky Quartet era, where Captain America led a team of reformed villains (Hawkeye, Scarlet Witch, Quicksilver) while the original Avengers stepped back. Stan Lee and then Roy Thomas built a book that proved the team concept could work without relying on its most popular members, a structural experiment that defined how Marvel managed ensemble casts going forward.

85.00 € 100.00 € -15%

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The Avengers Omnibus Vol. 1

The first Avengers omnibus collects the founding of Marvel's premier super-team from their debut in 1963 — Stan Lee and Jack Kirby establishing the team concept, the first roster shuffles, and the foundational mythology that made the Avengers the umbrella concept for Marvel's entire publishing line. These early issues include the first appearances of classic Avengers antagonists, the Hulk's departure from the team, and the introduction of Captain America as the team's moral center.

85.00 € 100.00 € -15%

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Wolverine: Old Man Logan Omnibus

Old Man Logan is Mark Millar and Steve McNiven's definitive post-apocalyptic Wolverine story — set fifty years in a future where the villains won, the heroes are dead, and an elderly Logan who has refused to unsheathe his claws since the night he was tricked into killing the X-Men lives as a broken man on a continent carved up between Hulk Gang territory and Red Skull's new America. The story uses the western genre's elegiac mode — the reluctant gunfighter dragged back into violence one last time — to tell the most emotionally resonant Wolverine story since the original Miller miniseries.

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Death of Wolverine Omnibus

Death of Wolverine is Charles Soule and Steve McNiven's four-issue event series killing Logan after the loss of his healing factor — a premise that forced the question of what Wolverine actually is without the regeneration that made him unique.

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Return of Wolverine Omnibus

Return of Wolverine is Charles Soule's five-issue miniseries bringing Logan back from the death established in Soule's own Death of Wolverine — completing the narrative circle of a writer who stewarded the character through both his end and his revival.

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All-New Wolverine by Tom Taylor Omnibus

Tom Taylor's All-New Wolverine is one of the best Marvel solo series of the 2010s regardless of character — the story of Laura Kinney stepping out of Logan's shadow to wear the Wolverine costume and prove she's more than a weapon or a clone, told with emotional intelligence and consistent craft across 35 issues. Taylor brought genuine warmth to a character whose origin was defined by trauma, made the Clone Saga subplot (Laura's younger clone Gabby) into one of the most beloved supporting character introductions in recent Marvel history, and delivered a run that works on its own terms without requiring knowledge of Wolverine's wider mythology.

85.00 € 100.00 € -15%

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X-23 Omnibus Vol. 1

X-23 is the most fully realized Wolverine spin-off character ever created — Craig Kyle and Christopher Yost conceived her as a female clone of Wolverine weaponized from birth, used as an assassin by the Weapon X program offshoot known as the Facility, and their work establishing her origin in the animated series was adapted into the comics in one of the medium's most harrowing backstory sequences. The first omnibus covers her origin and early missions, establishing the psychological damage that Tom Taylor would later translate into Marvel's best all-ages superhero series.

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Daken: Dark Wolverine Omnibus

Daken: Dark Wolverine collects Daniel Way and Marjorie Liu's work on Logan's son — a character who possesses all of Wolverine's physical gifts and none of his moral constraints, making Daken simultaneously the most dangerous and the most psychologically interesting Wolverine spin-off character. Way introduced Daken as an antagonist in his Wolverine run before Liu took the character into genuinely unexpected psychological territory, exploring what a lifetime of weaponized trauma produces in someone with Wolverine's DNA but none of his father's redemptive arc.

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Wolverine: Sabretooth War Omnibus

Benjamin Percy's Wolverine run reached its climactic confrontation in the Sabretooth War — a sustained arc pitting Logan against an army of Sabretooth variants led by the recently empowered original, using the Krakoa resurrection protocols as the engine for the most vicious iteration of the Wolverine/Sabretooth rivalry in decades. Percy built the Sabretooth War across two years of setup, which gave the payoff an accumulated weight that single-arc Wolverine stories rarely achieve.

85.00 € 100.00 € -15%

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Wolverine: Not Dead Yet Omnibus

Warren Ellis's Wolverine work collects his two acclaimed storylines — Not Dead Yet and Dying Time — along with associated material from his run on the character. Ellis brought the same cold, precise approach to Wolverine that had made his Iron Man Extremis arc so effective: stripping away the mythology to find the essential character underneath, then using that distillation to construct high-concept action stories that worked as character studies simultaneously. McTeigue's Not Dead Yet storyline in particular is frequently cited as the best standalone Wolverine arc of the 2000s.

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Wolverine & the X-Men by Jason Aaron Omnibus

Wolverine & the X-Men by Jason Aaron Omnibus is the X-Men school book after Schism, with Logan trying to run a place for damaged mutant kids despite being the least obvious headmaster imaginable. Jason Aaron and Nick Bradshaw build the series around chaos, comedy, grief and responsibility. Its value is tone and cast: Quentin Quire, Kid Gladiator, Broo and the students make the Jean Grey School feel alive, absurd and emotionally risky.

120.00 € 130.00 € -8%

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Wolverine Goes to Hell Omnibus

The Wolverine Goes to Hell omnibus focuses specifically on Jason Aaron's opening Wolverine storyline — the arc where a mysterious enemy sends Logan's soul to Hell while his body is possessed and turned against everyone he loves. It's an audacious premise that Aaron executes with total conviction, using the separation of body and soul as a way to examine the two sides of Wolverine's nature simultaneously: the berserker and the man. The Hell sequences have a texture and mythology that previous Wolverine runs hadn't bothered to develop.

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Wolverine by Jason Aaron Omnibus Vol. 1

Jason Aaron's first Wolverine omnibus collects the beginning of what became the definitive 21st-century Wolverine run — starting with Wolverine Goes to Hell and building through Wolverine vs. the X-Men and Wolverine's Revenge into a sustained examination of what makes Logan tick when his body and soul are pushed to their absolute limits simultaneously.

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Wolverine by Mark Millar Omnibus

Mark Millar's Wolverine run is built around two back-to-back storylines — Enemy of the State and Agent of S.H.I.E.L.D. — that function as a single complete narrative: Wolverine is captured, brainwashed by HYDRA and the Hand, used as a weapon against every Marvel hero he knows, then deprogrammed and turned loose to hunt down everyone responsible. The premise is engineered for maximum action spectacle and John Romita Jr. delivers one of the defining artistic performances of his career — the two-year run moved faster and hit harder than anything Wolverine-related published in years.

65.00 € 75.00 € -13%

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Wolverine Omnibus Vol. 6

The sixth and final Hama Wolverine omnibus covers the conclusion of his marathon run, bringing Logan's bone-claw era to an end with the revelations that would lead to his adamantium restoration and addressing the accumulated mysteries about Logan's true origins that Hama had been layering across years of storytelling. No Hama Wolverine volume arrives without earned emotional weight — by this point in the run, Hama had spent nearly a decade building the supporting cast and ongoing storylines that made this one of Marvel's most sustained single-author runs of the 1990s.

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Wolverine Omnibus Vol. 5

Hama's fifth Wolverine omnibus covers the peak of his run — the period when the revelations about Logan's true past began to accumulate, the bone-claw Wolverine era began after Magneto stripped his adamantium, and the series navigated the most significant physical change to the character since his creation. Hama made the bone-claw period work by refusing to treat the powerdown as a tragedy, instead using Logan's raw, unenhanced state as an opportunity to demonstrate what made Wolverine dangerous had nothing to do with metal.

120.00 € 150.00 € -20%

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Wolverine Omnibus Vol. 4

Larry Hama's Wolverine Vol. 4 represents the first omnibus of his defining run on the character — the period when Hama transformed Wolverine's solo series from Claremont's psychological introspection into a propulsive action-espionage book with a military precision that Hama's Vietnam veteran informed directly. Hama wrote Wolverine for over 90 issues across the 1990s, creating an extended run of consistent quality that rivals any single creative tenure on a Marvel solo title from that era.

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Wolverine Omnibus Vol. 3

The third Claremont Wolverine omnibus covers the series' transition period as the Mutant Massacre and Fall of the Mutants events reshaped the X-Men landscape, requiring Wolverine's solo book to operate in direct response to seismic changes in the main X-Men line. Claremont used this period to deepen Logan's physical and psychological wounds from the Mutant Massacre, explore his complex feelings about the Xavier Institute's direction under Magneto, and introduce new supporting characters that would define the solo series through the Hama era that followed.

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Wolverine Omnibus Vol. 2

Chris Claremont's second Wolverine omnibus continues the solo series that ran throughout the late 1980s, deepening Logan's Japanese connections and the complex web of relationships established in the original Miller-era miniseries. Claremont used the ongoing format to explore Wolverine's berserker rage psychology, his regenerative healing factor as a psychological burden as much as a physical gift, and the recurring tension between his civilized surface and the animal beneath. John Buscema joins as primary artist, bringing his classical storytelling strengths to the character.

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Wolverine Omnibus Vol. 1

Before Wolverine had his own ongoing series, Chris Claremont and Frank Miller defined the character in the 1982 limited series. This omnibus collects that landmark run alongside the key Uncanny X-Men issues that built Logan's mythology.

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Ultimate X-Men Omnibus Vol. 4

Ultimate X-Men Omnibus Vol. 4 is the endgame shelf-piece for Marvel's alternate mutant universe. After Ultimatum breaks the world, the remaining mutants are no longer simply a streamlined version of classic X-Men; they are survivors in a hostile political landscape. The appeal is closure and contrast: this is where the Ultimate line stops feeling like a fresh entry point and becomes a darker argument about what the X-Men idea looks like after catastrophe.

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Ultimate X-Men Omnibus Vol. 3

Ultimate X-Men Omnibus Vol. 3 follows the title through its middle period, where Brian K. Vaughan, Robert Kirkman and later creators push Jean Grey, Cable, Apocalypse and the road toward Ultimatum. The book is valuable as the unstable bridge between the clean Ultimate launch and the darker collapse of that universe.

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Ultimate X-Men Omnibus Vol. 2

Ultimate X-Men Omnibus Vol. 2 is where the line becomes less pure Millar blockbuster and more character machine. Brian K. Vaughan brings warmth and structure after the harder Weapon X material, using Gambit, Longshot, Rogue and the wider Ultimate universe to test whether these versions can become more than edgy remixes of familiar mutants.

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Ultimate X-Men Omnibus Vol. 1

Ultimate X-Men Omnibus Vol. 1 is the mutant franchise rebuilt for the early-2000s Ultimate line: sharper politics, younger characters and no decades of continuity protecting anyone. Mark Millar and Adam Kubert make Xavier's school feel like a dangerous experiment, with Wolverine, Magneto and Weapon X recast through a more paranoid post-9/11 superhero lens.

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Cable & X-Force Omnibus

Cable & X-Force Omnibus sits in the core 1990s X-Force line, after the team has moved beyond its launch phase and into bigger X-Men continuity. Cable is still the strategic center of the book, but the volume also gives space to the full strike team identity: Domino, Cannonball, Shatterstar, Warpath, Feral and the young mutants caught between soldier tactics and superhero responsibility.

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Deadpool by Posehn & Duggan Omnibus

Brian Posehn and Gerry Duggan's Deadpool run launched with Marvel NOW! in 2012 and became one of the era's defining titles — taking the character in a direction that honored Kelly's emotional complexity while fully embracing Way's comedic maximalism.

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Deadpool by Daniel Way Omnibus Vol. 2

Daniel Way's second omnibus volume continues his record-breaking Deadpool run through the Deadpool Corps concept — a multiverse team of Deadpool variants including Lady Deadpool, Kidpool, Dogpool, and the genuinely inspired Headpool — and into the post-Siege Marvel landscape. Way stretched the franchise concept to its logical extreme while maintaining a consistent comedic voice across the massive cast of self-aware killers, and the Corps concept proved popular enough to spawn its own spinoff series.

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Deadpool by Daniel Way Omnibus Vol. 1

Daniel Way's Deadpool run launched in 2008 and defined the character for a generation of readers who came to Marvel through the film era — it's the run that pushed the fourth-wall breaking and comedic irreverence to their most extreme expression, making Deadpool one of Marvel's best-selling characters in the process. Way's first volume drops the mercenary into the Secret Invasion event and then into a sustained antagonistic relationship with Norman Osborn's Dark Reign, finding endless comedy in Deadpool's attempts to be taken seriously as a professional assassin.

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Deadpool & Co. Omnibus

Deadpool & Co. collects the mercenary's team-up stories — the one-off and short-run collaborations with other Marvel characters that showcase the creative comedy potential in placing Deadpool against established heroes and villains with wildly different tones.

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Deadpool & Cable Omnibus

Fabian Nicieza's Cable & Deadpool series is the rare superhero buddy-comedy that actually works — pairing the grimly messianic Cable with the anarchically self-aware Deadpool, the book used the contrast between two characters who shared a creator but couldn't be more different in temperament.

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Deadpool Classic Omnibus Vol. 1

The Deadpool Classic series presents the character's early publication history in a format designed for readers who want to engage with the foundational material before diving into the major creative runs. This first volume covers the mercenary's transition from supporting villain to featured character, with material from multiple creators working through what Deadpool could be before Joe Kelly's run crystallized the character into his definitive form.

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Deadpool by Joe Kelly Omnibus

Joe Kelly's Deadpool run is the creative moment that transformed a 90s mercenary character into something genuinely literary — Kelly introduced the fourth-wall awareness as a systematic device, gave Deadpool his signature voice, and wrote the first truly great Deadpool story in issue #11's time-travel team-up with the Golden Age hero, which remains one of the most moving single issues in the character's history. Kelly balanced comedy and tragedy in a way that no subsequent writer has fully replicated, and his Deadpool is the template against which every later run is measured.

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Deadpool: Beginnings Omnibus

Deadpool: Beginnings collects the mercenary's earliest appearances — from his New Mutants debut through his initial solo outings — before the character had fully evolved into the fourth-wall-breaking icon he would become. Fabian Nicieza and Rob Liefeld created a character who was initially played fairly straight as a threat, and watching the early material shows how gradually the humor, self-awareness, and meta-commentary were layered onto what began as a fairly conventional 90s assassin concept.

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Deadpool & X-Force Omnibus

This omnibus collects the crossover stories placing Deadpool within the orbit of X-Force — two of Marvel's most extreme 90s properties colliding in stories that use the mercenary's irreverence to comment on the grimly purposeful world Cable built around him. The contrast between Deadpool's chaos and X-Force's militant discipline produced some of the most entertaining comics of the era, with Fabian Nicieza's sharp dialogue ensuring the comedic potential was fully exploited.

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X-Men by Jonathan Hickman Omnibus

X-Men by Jonathan Hickman Omnibus collects Hickman's X-Men ongoing after House of X — the mutant nation of Krakoa in action, with rotating creative teams and Hickman's signature long-form storytelling. X-Men by Jonathan Hickman Omnibus collects the X-Men ongoing series (issues #1-21) launched after House of X — the mutant nation of Krakoa fully operational, with rotating creative teams (Leinil Francis Yu, Mahmud Asrar, R.B. Silva, Jonathan Hickman) each delivering standalone or short-arc stories within Hickman's overarching framework. Cyclops as family man on the moon. The Summoner and Arakko introduced. The Network. central bridge between Dawn of X and the Reign of X era.

65.00 € 75.00 € -13%

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X-Men: Age of Apocalypse Companion Omnibus

X-Men: Age of Apocalypse Companion Omnibus is the satellite shelf for readers who want the event to feel like a complete world rather than a famous core story. Blink, X-Universe, Generation Next, X-Man and related material widen the dystopia beyond the main teams. It is not the first AoA book to buy, but it is the book that makes the timeline feel inhabited.

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X-Men: Age of Apocalypse Omnibus

X-Men: Age of Apocalypse Omnibus is the core alternate-reality event: Xavier dies before founding the X-Men, Apocalypse conquers North America, and Magneto leads a resistance built from broken versions of familiar mutants. Its strength is not novelty alone; every title behaves as if this world has history, politics and damage of its own. That is why it remains the benchmark X-Men alternate timeline.

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Fall of the House of X / Rise of the Powers of X Omnibus

The mutant nation of Krakoa is ending. The humans have found a way to defeat resurrection. Orchis has infiltrated everything. The dream Moira MacTaggert spent ten lifetimes building is collapsing, and the X-Men face a choice: fight for Krakoa knowing it cannot be saved, or find a way to preserve something worth saving from the wreckage. Fall of the House of X and Rise of the Powers of X run simultaneously, telling the same story from two perspectives.

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Way of X Omnibus

Krakoa has solved resurrection. Death is no longer permanent for mutants. But if you can't die, what does faith mean? What does community mean? What does it mean to grieve? Kurt Wagner — Nightcrawler, the X-Men's most devout Christian — realizes that the mutant nation has everything except a soul. He sets out to build one. Si Spurrier's Way of X is the most philosophically ambitious book of the Krakoa era. Way of X #1–6 plus Legion of X #1–10, Spurrier's complete Nightcrawler-centred Krakoa story.

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X-Men: Age of Krakoa – Reign of X Omnibus Vol. 1

Reign of X Omnibus Vol. 1 is where Krakoa starts to feel less like a miracle and more like a political machine with cracks. The Quiet Council, resurrection protocols, X-Men public identity, Hellions chaos and the shadow of Moira all make the era more complicated. This is not just more Dawn of X; it is the stage where the mutant nation has power, bureaucracy and consequences.

120.00 € 150.00 € -20%

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X-Men: Age of Krakoa – Dawn of X Omnibus Vol. 2

Dawn of X Omnibus Vol. 2 deepens the Krakoa experiment after the initial shock has passed. The books begin turning worldbuilding into pressure: Mystique and the Quiet Council, mutant diplomacy, X-Force security failures, the magical border around Otherworld and the first signs that paradise has procedures, secrets and enemies. It is a continuation volume, but a useful one because it shows the new X-Men status quo becoming operational.

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X-Men: Age of Krakoa – Dawn of X Omnibus Vol. 1

Dawn of X Omnibus Vol. 1 is the first real test of Krakoa as a publishing line rather than a single Hickman idea. Marauders, Excalibur, X-Force, New Mutants, Fallen Angels and X-Men all ask different questions about the mutant nation: diplomacy, magic, intelligence, youth culture and identity. The volume works because the line feels unstable and ambitious at the same time, like Marvel trying to make the X-office feel genuinely new again.

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X-Men: Age of Krakoa by Kieron Gillen Omnibus

X-Men: Age of Krakoa by Kieron Gillen Omnibus — Immortal X-Men and A.X.E.: Judgment Day. The Quiet Council of Krakoa, the Progenitor Celestial judging all humanity, Sinister's schemes from within. X-Men: Age of Krakoa by Kieron Gillen collects Immortal X-Men #1-18 and A.X.E.: Judgment Day #1-6 — Gillen's focused statement on the Krakoa era. The Quiet Council of Krakoa — Magneto, Xavier, Mystique, Emma Frost, Exodus, Sinister — navigating mutant politics while the Progenitor Celestial (reactivated by the Eternals) judges all of humanity and finds it wanting. The most philosophical X-Men story since Morrison. Gillen at the peak of his powers, with Lucas Werneck on art.

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X-Men by Gerry Duggan Omnibus

X-Men by Gerry Duggan Omnibus — Cyclops leads the X-Men from the Treehouse in New York City during the Krakoa era. Sunfire, Rogue, Polaris. The Gameworld arc and Dr. Stasis as the new villain. X-Men by Gerry Duggan (issues #1-35 collected here) follows Cyclops leading the most traditional X-Men squad of the Krakoa era from their Manhattan Treehouse. Sunfire, Rogue, Polaris, Wolverine (Laura), Marvel Girl and Jean Grey as a flagship team. The Gameworld arc — an alien gambling circuit that bets on Earth's survival — and the introduction of Dr. Stasis as a new Sinister clone hunting mutants. Duggan's run is the most accessible entry point to the Krakoa era, balancing the epic with the character-driven.

120.00 € 150.00 € -20%

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X-Men by Al Ewing Omnibus

X-Men by Al Ewing Omnibus — Synch, Wolverine (Laura), Polaris and Havok on Arakko. The Children of the Vault, Ewing's science-fiction complexity applied to mutantkind's post-Krakoa identity. X-Men by Al Ewing (issues #1-25 collected here) is one of the most intellectually ambitious X-Men runs of the Krakoa era. Synch, Wolverine (Laura Kinney), Polaris, Havok, Cyclops and Marvel Girl operate on Arakko (Mars), the mutant planet. The Children of the Vault — immortal post-human beings who evolved in an accelerated time-chamber — are the recurring antagonists. Ewing applies hard science-fiction concepts to the X-Men universe with Stefano Caselli and Pepe Larraz providing clean, dynamic art.

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Weapon X: The Return Omnibus

The Weapon X program created Wolverine — bonding adamantium to his skeleton, wiping his memories, turning a man into a weapon. Barry Windsor-Smith told that origin story in the legendary 1991 Marvel Comics Presents serial. Years later, the program returned: new directors, new victims, a new mandate. The Return collects both the foundational Windsor-Smith Weapon X story and the subsequent Weapon X series that expanded the mythology into a full ongoing conspiracy.

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Cosmic X-Men Omnibus

Cosmic X-Men Omnibus should sell as the mutant line looking upward: Shi'ar empire, Starjammers, Imperial Guard, Phoenix, Lilandra and the M'Kraan Crystal. This is where Claremont and Cockrum prove that the X-Men are not only a school or a persecuted minority metaphor, but a team whose family drama can scale to galactic politics. It is a curated cosmic shelf, not a generic X-Men greatest-hits volume.

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War of Kings Omnibus

The War of Kings is the culmination of years of Marvel cosmic storytelling. The Inhumans, led by Black Bolt, have taken control of the Kree Empire. The Shi'ar Empire, under the rule of the mutant Vulcan (Gabriel Summers, Cyclops's long-lost brother), is expanding aggressively. The collision of these two cosmic empires draws in the Guardians of the Galaxy, the Nova Corps and X-Men-adjacent characters across the Marvel cosmic universe.

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