Nightwing by Tom Taylor and Bruno Redondo Omnibus Vol. 2

Nightwing by Tom Taylor, collected complete as a pack of 2 oversized omnibus volumes and cheaper than buying them one by one. Nightwing by Tom Taylor and Bruno Redondo Omnibus Vol. 1 brings Dick Grayson back to Blüdhaven with Barbara Gordon close by, Heartless in the shadows and a run built around legacy, warmth and danger. Nightwing by Tom Taylor and Bruno Redondo Omnibus Vol. 2 completes the Eisner-winning modern run. Dick Grayson, having inherited a fortune from Alfred Pennyworth, keeps trying to fix Blüdhaven with it rather than just fighting its crime, alongside his three-legged rescue dog Haley and his fully-committed romance with Barbara Gordon. This volume brings the run to its conclusion, deepening the fight against crime boss Blockbuster and the masked killer Heartless. Warm, optimistic writing and Redondo's inventive, experimental page layouts made this the definitive modern Nightwing.

Nightwing: Rebirth is Tim Seeley's run, which returned Dick Grayson to the costume after years as a spy and moved him to Blüdhaven to build a life outside Gotham. Seeley writes Dick as the one member of the Bat-family who is genuinely well-adjusted, which is a harder character to make interesting and he manages it. The Blüdhaven material gives him a city, a supporting cast and problems that are his own rather than Batman's leftovers, and it is the run every later Nightwing writer builds on.

PRH presents this as Tom Taylor and Bruno Redondo's Nightwing run collected in omnibus format. The hook is Dick Grayson returning to his own city and identity, with the book balancing street-level heroics, found family and a new enemy built specifically for this era. This is a strong modern Nightwing shelf for readers who want Dick Grayson as the lead, not only as part of the Batman family. The tone is cleaner, more emotional and more hopeful than many Gotham-adjacent runs, without losing the danger around Blüdhaven.

Dick Grayson, presumed dead after Forever Evil, becomes a secret agent working for Spyral, a shadowy intelligence organisation targeting superheroes. Tom King and Tim Seeley write Grayson with the wit and physical grace that defines the character, while Mikel Janín provides some of the most visually inventive pages in DC publishing of the era. A complete genre switch for a character who had always been a superhero, proving that Dick Grayson works in any narrative One of DC's most creative series of the 2010s.

Nightwing: Year One tells the story DC had left as a gap for twenty years: how Dick Grayson stopped being Robin and became something of his own. Chuck Dixon wrote Nightwing for a decade and this is his retrospective origin: Batman fires Dick, and the story is about a young man discovering that being cut loose is the best thing that could have happened. Scott McDaniel draws movement better than anyone who has handled the character since.

Nightwing: The Prince of Gotham Omnibus follows Dick Grayson through the New 52 period, where Haly's Circus, Gotham's secrets and Forever Evil push his public and private identities to breaking point. Kyle Higgins writes Nightwing as mobile, exposed and emotionally open in a way that separates him from Batman's shadow. The value is character clarity: this is Dick trying to own the symbol, the city connections and the cost of being seen.

Nightwing: The Rebirth Deluxe Edition Book 2 continues Tim Seeley's run, with Dick Grayson settled in Blüdhaven and finally allowed to be a hero in his own city rather than a satellite of Gotham. Seeley writes him as the most socially competent member of the Bat-family, and Javier Fernández draws him as an acrobat first.

Nightwing by Tom Taylor, collected complete as a pack of 2 oversized omnibus volumes and cheaper than buying them one by one. Nightwing by Tom Taylor and Bruno Redondo Omnibus Vol. 1 brings Dick Grayson back to Blüdhaven with Barbara Gordon close by, Heartless in the shadows and a run built around legacy, warmth and danger. Nightwing by Tom Taylor and Bruno Redondo Omnibus Vol. 2 completes the Eisner-winning modern run. Dick Grayson, having inherited a fortune from Alfred Pennyworth, keeps trying to fix Blüdhaven with it rather than just fighting its crime, alongside his three-legged rescue dog Haley and his fully-committed romance with Barbara Gordon. This volume brings the run to its conclusion, deepening the fight against crime boss Blockbuster and the masked killer Heartless. Warm, optimistic writing and Redondo's inventive, experimental page layouts made this the definitive modern Nightwing.

PRH presents this as Tom Taylor and Bruno Redondo's Nightwing run collected in omnibus format. The hook is Dick Grayson returning to his own city and identity, with the book balancing street-level heroics, found family and a new enemy built specifically for this era. This is a strong modern Nightwing shelf for readers who want Dick Grayson as the lead, not only as part of the Batman family. The tone is cleaner, more emotional and more hopeful than many Gotham-adjacent runs, without losing the danger around Blüdhaven.

Injustice began as a tie-in to the fighting game and became one of DC's longest-running alternate universes, built on a single irreversible act: the Joker tricks Superman into killing Lois Lane and their unborn child. Injustice works because it takes its premise seriously: the heroes who side with Superman have reasons, and the ones who oppose him lose. It is the most accessible DC alternate universe on the shelf, with no continuity required, and this omnibus replaces three years of scattered digital-first collections with a single volume.

Tom Taylor's DCeased delivers the Anti-Life Equation as a digital virus and lets it move through the Justice League at the speed of their own abilities. The horror comes from competence turned against itself: Superman flies, so the infection flies. Unlike most zombie crossovers Taylor writes the losses as losses, spending pages on relationships before he destroys them. It needs no continuity and it is the best-selling book of its kind DC has published.

Injustice: Gods Among Us, collected complete as a pack of 2 oversized omnibus volumes and cheaper than buying them one by one. Injustice 2 keeps asking what happens after a world has already been broken by its heroes. Tom Taylor returns to a DC universe where trust is scarce, power has consequences and every alliance carries the memory of Superman’s regime. The result is not just a fighting-game tie-in; it is a sharp alternate-DC political thriller about rebuilding after tyranny. Injustice: Gods Among Us Omnibus Volume 1 collects the opening three-year block of the Injustice saga in one huge hardcover, giving DC readers a brutal alternate-universe shelf built around Superman's fall, Batman's resistance and a world under authoritarian pressure.

Injustice 2 continues the world of the fighting game, five years after Superman's regime fell and with the survivors trying to rebuild a planet that no longer trusts anyone in a cape. Tom Taylor treats the aftermath seriously: Batman has won and now has to govern, which he is worse at than fighting. The book is also a clean entry point, no prior comics required, only the premise, and it gives Damian Wayne, Harley Quinn and the Suicide Squad some of their best material outside continuity.

Earth 2: The New 52 Omnibus Vol. 1 follows an alternate DC world after its icons are gone, shaped by legacy, war, replacement heroes and families trying to grow in the wreckage. The appeal is seeing this DC period collected as one reading path, with its own tone, cast and visual rhythm.

Robert Venditti's Hal Jordan and the Green Lantern Corps begins with the Corps lost in another universe and Hal Jordan operating alone, presumed a criminal. The run's central move is making Sinestro the establishment: his Corps polices the universe legally while the Green Lanterns are the fugitives. Venditti also writes the best Hal Jordan and Sinestro material since Johns, treating their relationship as two men who understand each other far too well.