Roger Stern

In 1992 DC killed Superman and the story made the evening news. Thirty years later this edition collects it as a single book. Doomsday is the rare villain who works precisely because he has no personality, no motive, no dialogue, just forward motion, and the escalating panel counts across the final issues are one of the smartest formal tricks in mainstream comics. Whatever you think of the stunt, it is the best-selling comic story ever published.

Superman: The Triangle Era, collected complete as a pack of 3 oversized omnibus volumes and cheaper than buying them one by one. Superman: The Triangle Era Omnibus Vol. 1 begins DC's 1990s weekly Superman machine, where Action Comics, Adventures of Superman, Superman and Man of Steel function as one coordinated reading order. The numbered triangles turn the line into a continuous serial rather than separate titles. Jurgens, Ordway, Stern and Simonson build the dense ecosystem that leads toward Death of Superman and the most interconnected Superman publishing era. Second volume with the central arcs of the Triangle Era experiment: the time when editorial coordination between the four Superman titles was at its creative peak, with weekly crossover sagas and consequences that spanned months. The heart of an entire decade of the character's history, culminating in the run-up to the Death of Superman. Roger Stern, Dan Jurgens, and Louise Simonson write complementary threads that reward reading in publication order. The most ambitious Superman publishing experiment ever attempted. Superman: Triangle Era Omnibus Vol. 3 keeps the 1990s Superman machine moving through linked weekly storytelling, where Clark's personal life, Metropolis, supporting cast and superhero threats all feed into one another. Dan Jurgens, Louise Simonson, Roger Stern, Jon Bogdanove and Tom Grummett make the line feel like a living city.

Brainiac is Superman's oldest intellectual equal, and this omnibus tracks his transformation from a green-skinned alien with a ray gun into a genuine cosmic threat. The post-Crisis Brainiac is the version everything since has been built on: not a robot but a mind that occupies bodies, collects cities and treats Superman as a specimen. Reading the arcs in sequence shows a deliberate rebuild rather than a series of guest appearances, which is not obvious when they are read separately.

Superman: The Triangle Era Omnibus Vol. 1 begins DC's 1990s weekly Superman machine, where Action Comics, Adventures of Superman, Superman and Man of Steel function as one coordinated reading order. The numbered triangles turn the line into a continuous serial rather than separate titles. Jurgens, Ordway, Stern and Simonson build the dense ecosystem that leads toward Death of Superman and the most interconnected Superman publishing era.

The Triangle Era is the name collectors give to the period when Superman's four monthly titles were numbered as one continuous weekly story. This third volume covers the aftermath of his death. This is Reign of the Supermen: four claimants to the name, none of them clearly Clark Kent, and a mystery that ran across every title for months. Hunter/Prey is the sequel to the death itself. It is the most commercially successful Superman story ever published, and the triangle numbering means it only reads properly collected like this.

The Death and Return of Superman is not just the day Superman falls; it is the whole shockwave after the fall. Doomsday turns the fight into a public wound, Metropolis has to imagine a world without Clark Kent, and four new figures step into the empty space where Superman used to stand. This omnibus keeps the event, grief and rebirth together as one huge DC turning point.

Exile is the storyline that sent Superman into space to punish himself, published in the late eighties as the direct set-up for The Death of Superman. Superman executes three Kryptonian criminals and exiles himself over it, which is the only time DC has let him kill and then dealt with the consequences at length. Mignola's issues are the visual standout, and the Mongul material here is what the Warworld stories have been building on ever since.

Second volume with the central arcs of the Triangle Era experiment: the time when editorial coordination between the four Superman titles was at its creative peak, with weekly crossover sagas and consequences that spanned months. The heart of an entire decade of the character's history, culminating in the run-up to the Death of Superman. Roger Stern, Dan Jurgens, and Louise Simonson write complementary threads that reward reading in publication order. The most ambitious Superman publishing experiment ever attempted.

PRH presents this as the full saga of Spider-Man's black costume before it becomes tied to Venom. The appeal is watching something that looks like an upgrade slowly reveal itself as a living problem Peter cannot simply take off. This is the clean omnibus shelf for the black costume era before Venom fully takes over the conversation. It lets readers follow the change across the main Spider-Man titles instead of piecing the saga together issue by issue.

Spider-Man by Roger Stern Omnibus collects Roger Stern's Spider-Man work across the period that gives the character the Hobgoblin mystery, sharp Peter Parker drama and memorable John Romita Jr. artwork. It is a focused creator-era volume for readers who want Stern's voice on Spider-Man in one oversized collection.

Amazing Spider-Man Omnibus Vol. 7 moves into the Dennis O'Neil and Roger Stern period, with John Romita Jr. helping shape a sharper early-1980s Spider-Man. The volume is built around Peter Parker's next phase, the Hobgoblin mystery and stories that test how much chaos Spider-Man can absorb without losing his human centre.

The Phoenix Force is the X-Men's most reused idea, and this second omnibus follows what Marvel did with it in the decade after Jean Grey's death on the moon. This is the volume that contains Days of Future Past (#141-142) and the resurrection in Fantastic Four #286 that undid the Dark Phoenix Saga's ending, along with Rachel Summers inheriting the Phoenix and taking it to Excalibur. If you want to understand why the Phoenix keeps coming back, the machinery is here.

Includes Roger Stern and John Byrne’s complete run, a high watermark for Captain America storytelling! Pop culture might have gone from disco to punk to new wave during the four-year run of stories collected in this Omnibus extravaganza, but one man remained as red, white and blue as ever: Steve Rogers, Captain America!

Includes Roger Stern and John Byrne's complete run, a high-water mark for Captain America storytelling! Pop culture might have gone from disco to punk to new wave during the four-year run of stories collected in this Omnibus extravaganza, but one man remained as red, white and blue as ever: Steve Rogers, Captain America!

In an early phase of his legendary career, John Romita Jr. joins AMAZING SPIDER- MAN as ongoing artist! This Omnibus collection covers the Amazing debut of one of the greatest artists in Spideydom! Spider-Man all-time art great John Romita Jr. makes takes the reins, plus John Byrne draws a Parker crackup on campus and Frank Miller puts Spidey in the path of Doctor Strange and Punisher in a pair of Annual-sized classics!

When Jean Grey returns from a watery grave, the original X-Men reunite - as X-Factor! But for Marvel Girl, Cyclops, Beast, Angel and Iceman, posing as a mutant-hunting organization gets complicated fast! And things get worse when the ageless villain Apocalypse makes the scene! Then, when X-Factor is drawn into the chaos of the Mutant Massacre, Angel suffers a grievous injury and will be changed forever!