Ann Nocenti

Catwoman: The New 52 Omnibus Vol. 1 follows Selina Kyle in a modern Gotham where theft, desire and survival are constantly tangled. The run leans into Catwoman as a risky, impulsive lead rather than a simple Batman satellite, using heists, criminal pressure and personal fallout to define her space. For collectors, it is the New 52 Catwoman anchor: the place to track Selina's solo identity through that line's tone and continuity.

Dazzler is one of Marvel's most unusual classic launches: Alison Blaire was introduced as a mutant pop star whose power turns sound into light, then carried into her own direct market solo series. The result is pure early-80s Marvel: celebrity cameos, music-industry drama, mutant prejudice, romance and superhero chaos all colliding around one performer who keeps trying to have a normal career. What this edition collects. It is the complete oversized classic Dazzler shelf in one volume.

Daredevil by Nocenti and Romita Jr. Omnibus Vol. 2 keeps Matt Murdock in the most unstable stretch of Ann Nocenti's run: politics, urban decay, Inferno-era grotesquerie and a moral pressure that feels very different from Miller or Bendis. John Romita Jr. gives Hell's Kitchen a heavy, angular physicality. The book matters because it shows Daredevil as social horror, not just crime noir.

Daredevil by Nocenti and Romita Jr. Omnibus Vol. 1 is where the run becomes political, angry and psychologically dangerous. Typhoid Mary is not just a villain; she is the book's fracture point, pulling Matt Murdock into questions of misogyny, violence, power and self-deception. John Romita Jr.'s angular pages give Nocenti's ideas the physical impact they need.