Al Ewing

Al Ewing's Loki: Agent of Asgard and the surrounding material represent one of the most ambitious character studies Marvel has produced in recent decades. Taking the young Loki established by Kieron Gillen, Ewing asks a deceptively simple question: can a god of lies become someone different? The answer unfolds across some of the most formally inventive Marvel comics of its era. It includes the Secret Wars tie-in material that concludes Ewing's arc.

X-Men by Al Ewing Omnibus takes the Krakoa era toward space, diplomacy and cosmic consequence, showing mutant power as something that has to operate beyond Earth. Ewing’s strength is scale with systems behind it: empires, politics, identity and the cost of thinking bigger than a single planet. The edition adds value by keeping the mutant context together: team politics, continuity pressure and character fallout have room to build instead of being reduced to isolated plot points.

Al Ewing reinterprets the Hulk as a horror comic. Radical premise: by day Banner is dead, by night he returns. Mixes body horror, existential reflection, political critique and superheroic action in one package. Art by Joe Bennett in line with Bernie Wrightson on Swamp Thing. Eisner-nominated, critically acclaimed contemporary cult work.