The Nice House on the Lake: The Deluxe Edition

Dream goes to Hell to free a woman he condemned there, and comes back to find that Lucifer has handed him the key to the whole place. Book Two contains Season of Mists and A Game of You, the point at which the series stops being about horror and starts being about responsibility and the cost of never changing your mind.

The story that made Vertigo. An occult order tries to capture Death and catches her brother instead, and when Dream of the Endless finally escapes after seventy years he has to rebuild a kingdom that fell apart without him. Book One is where Gaiman goes from writing a horror comic to writing the thing everyone else has been copying since.

The Sandman: The Deluxe Edition Book Five closes the series with The Wake and the final stories, in which the Dreaming buries its king and the people whose lives he touched get their last word. It is one of the few long-form comics that ends exactly as well as it began.

The Sandman: The Deluxe Edition Book Four collects the run into The Kindly Ones, the longest and darkest arc of the series, in which everything Dream has done across seventy issues comes back for payment. Marc Hempel's stylised artwork divided readers and is now regarded as the right choice.

The Sandman: The Deluxe Edition Book Three collects the middle stretch of Neil Gaiman's series, including Brief Lives, in which Dream and his sister Delirium go looking for their missing brother and the consequences reshape the rest of the story.

The Sandman: Overture Deluxe Edition collects the prequel Neil Gaiman wrote twenty-five years after the original series, explaining what left Morpheus weakened enough to be captured in Sandman #1. J.H. Williams III draws it, and the pages are among the most elaborate ever printed in a mainstream comic.

The Dead Boy Detectives Omnibus collects the adventures of Edwin Paine and Charles Rowland, two dead schoolboys who refused to move on and set up as detectives instead. Created by Neil Gaiman in Sandman, they became one of the most durable spin-offs of that universe, and later a Netflix series.

Books of Magic Omnibus Vol. 3 closes out Tim Hunter's Vertigo run, including the later Hunter: The Age of Magic material. It is the end of one of the imprint's longest continuous stories about growing up with power you did not ask for.

Batman: Urban Legends was an anthology series giving Gotham's supporting cast the space the monthly titles never had. The Red Hood serial is the reason this got attention: Zdarsky spends six chapters on Jason Todd finally processing his own death, and it is better than most of what the main titles were doing that year. The anthology format also means each story is complete, which makes it an easy book to dip into.

James Tynion IV and Freddie Williams II crossed Batman with the Teenage Mutant Ninja Turtles three times, and the result outsold almost every other DC/IDW crossover attempted. The setup is a dimensional accident engineered by Krang to rid himself of the Turtles and the Foot Clan at once — which dumps Shredder into Gotham. What makes it work is that Tynion plays both worlds straight: Ra's al Ghul and Killer Croc against ninja mutants, with Splinter and Bruce Wayne sizing each other up as the two mentors they are.

James Tynion IV took over Batman after Tom King and immediately escalated: The Joker War is a full assault on Bruce Wayne's fortune, his allies and the city itself, drawn by Jorge Jiménez. Tynion's premise is simple and brutal: strip Batman of his money and see what remains. Having the crossover chapters from Nightwing, Batgirl, Red Hood and Catwoman in the same volume matters here, because the story is deliberately told across the whole Bat-family rather than in one title.

Justice League Dark: Rebirth Omnibus collects James Tynion IV's complete run, in which Wonder Woman assembles a team of magicians because magic itself is dying and the ordinary Justice League is useless against it. Zatanna, Constantine, Swamp Thing, Detective Chimp and Man-Bat, against threats the main League cannot even perceive.

Batman: Detective Comics: The New 52 Omnibus Vol. 1 starts the New 52 Detective Comics era with a sharper, more violent Gotham and a Batman pushed through crime, spectacle and body-horror shocks. Tony Daniel and James Tynion IV make the book feel immediate, glossy and aggressive in a way that matches the relaunch mood.

Batman and Robin Eternal was the second weekly Bat-series, published while Bruce Wayne had no memory of being Batman and Dick Grayson was working as a spy. The hook is that Bruce is unavailable, so the entire Bat-family has to solve it without him and without being able to ask what he knew. It also introduces Cassandra Cain to the post-Flashpoint continuity, arriving in Gotham as a silent young woman looking for Batman, which is the best version of that entrance anyone has written.

Batman by James Tynion IV, collected complete as a pack of 2 oversized omnibus volumes and cheaper than buying them one by one. James Tynion IV's Batman drops Gotham into a modern pressure cooker: new villains, old fears, corporate power, masked trauma and a city that keeps changing faster than Bruce Wayne can control it. With Jorge Jiménez giving the pages sleek velocity, this omnibus captures a Batman era built around escalation, from the aftermath of major upheaval to the arrival of threats that feel designed for a newer, more unstable Gotham. Batman by James Tynion IV Omnibus Vol. 2 continues the Gotham shake-up through Joker War fallout, Ghost-Maker, Clownhunter and Fear State pressure. The run asks whether Batman can still operate the way he used to when the city, his resources and his enemies have all changed shape.

The second half of James Tynion IV's Batman, written after The Joker War and built around a Gotham where fear itself becomes municipal policy. Fear State is Tynion's best structural work: Scarecrow weaponising civic anxiety while Simon Saint sells Gotham a surveillance state as the cure. It also introduces Ghost-Maker and gives Peacekeeper-01 a genuinely nasty arc. Volume 2 is where the run stops reacting to The Joker and starts arguing about what policing Gotham should look like.