Marvel Comics

Armor Wars is the Iron Man story that crystallized what makes Tony Stark different from every other Marvel hero: his technology is his greatest vulnerability. When Stark discovers his armor designs have been stolen and used to create supervillain suits, he goes to war against them all — including heroes wearing government-sanctioned armor — in a morally compromised crusade that ends with serious consequences.

Iron Man by Michelinie, Layton & Romita Jr. Omnibus Vol. 1 brings Tony Stark into one of his defining creative eras, where corporate pressure, personal collapse and armored spectacle move together. Demon in a Bottle gives the run its emotional center without reducing it to a single famous storyline.

Spider-Man Vs. Venom Omnibus gathers the rivalry between Peter Parker, Eddie Brock and the symbiote legacy as it spreads through Spider-Man and Venom stories. The focus is the black-suit fallout, Venom's early threat, Carnage-era escalation and the way the conflict turns personal instead of simply monstrous.

Amazing Spider-Man by David Michelinie and Todd McFarlane Omnibus collects the era where Venom's first full appearance and McFarlane's visual reinvention change the look and energy of Spider-Man. Michelinie builds Eddie Brock and the symbiote's focused hatred, while McFarlane pushes the webs, poses and New York detail into a new late-1980s style.

Spider-Man by Michelinie & Bagley Omnibus Vol. 2 moves through Maximum Carnage and the chaos around Peter Parker's family, with Carnage assembling killers, Spider-Man forced into uneasy alliances and Venom pulled back into the conflict.

Spider-Man by Michelinie & Larsen Omnibus puts Erik Larsen's kinetic Spider-Man centre stage, with Michelinie's run moving through Sinister Six chaos, Venom pressure and oversized Marvel spectacle.

Spider-Man by Michelinie & Bagley Omnibus Vol. 1 captures the early 1990s Amazing Spider-Man run where Mark Bagley becomes a defining Spidey artist, Venom remains a major threat and Carnage makes his savage debut.