Marvel & DC Omnibus

X-Men: Decimation Omnibus follows mutantkind after M-Day, when survival replaces expansion and every remaining power feels politically dangerous. The book is about scarcity, fear and aftermath: a line of heroes suddenly forced to live as an endangered population with enemies watching every weakness.

The House of M reality — where Magneto rules and mutants are the dominant species — touches every corner of the Marvel Universe. Spider-Man is a celebrity. Captain America never went into the ice. The Hulk was sent off-planet. This companion omnibus collects the tie-in series that show what House of M's altered reality looked like for every major hero, providing story material that makes the main event's conclusion hit considerably harder.

The Scarlet Witch has a breakdown. Her son reminds her of what she's lost — her children, her sanity, her place in the world. She whispers three words: 'No more mutants.' Reality reshapes. In an instant, the mutant population drops from millions to 198. House of M collects the complete Brian Michael Bendis-written event that permanently altered the Marvel Universe and set the X-Men's direction for nearly a decade. The complete M-Day story in one volume.

Astonishing X-Men by Joss Whedon & John Cassaday Omnibus — the X-Men return to classic superhero action. Cyclops, Emma Frost, Kitty Pryde and Colossus reborn. The Danger Room revealed. The Breakworld arc. Cassaday's art at its peak. Astonishing X-Men #1-24 plus Giant-Size Astonishing X-Men #1 — Joss Whedon and John Cassaday's 25-issue run took four years to complete and was worth every month. Cyclops reactivates the X-Men as public heroes. Kitty Pryde returns to the team. Colossus is brought back from the dead. The Danger Room becomes sentient. The Breakworld arc ends with one of the most iconic single issues in X-Men history. Cassaday's painted-style linework is some of the finest art ever on an X-Men title. A timeless run.

Peter Milligan and Mike Allred reimagined X-Force as a team of mutants whose primary power isn't strength or telepathy — it's fame. X-Statix (originally called X-Force until the name change) is a corporate-sponsored superhero team that exists primarily to generate media content.

New X-Men by Grant Morrison Omnibus drags the mutant concept into the 21st century with school culture, extinction anxiety, body horror and sharp design. Frank Quitely and the art team make the X-Men feel alien again, while Morrison treats mutation less as costume fantasy and more as a social rupture.

X-Treme X-Men by Chris Claremont Omnibus Vol. 2 continues Claremont’s globe-trotting mutant adventure, where Storm’s team moves through politics, secrets and personal loyalties outside the usual school structure. Salvador Larroca and Igor Kordey give the run a different texture from core Uncanny material.

X-Treme X-Men by Chris Claremont Omnibus Vol. 1 gives Storm a mobile team and sends the X-Men into a more international mode, mixing mutant politics, hidden diaries and character drama with Claremont’s familiar taste for long-running emotional threads. It is X-Men outside the mansion’s usual gravity.

X-Men Revolution by Chris Claremont Omnibus captures the moment Claremont returns to the mutant line at the turn of the millennium, with Salvador Larroca giving the book a sleek, transitional look. The appeal is seeing familiar X-Men voices pushed into a new era that is trying to move forward while still carrying older emotional weight.

X-Men 2099 Omnibus moves the mutant idea into Marvel’s future line, where identity, rebellion and corporate pressure replace the familiar school structure. John Francis Moore, Scott Lobdell and Ron Lim build a team that feels connected to the X-Men myth without simply repeating Xavier’s dream in another costume.

X-Men Vs. Apocalypse: The Twelve Omnibus gathers the long-brewing Apocalypse mythology around prophecy, survival and the fear that mutant destiny can be weaponized. Chris Claremont, Alan Davis and the wider X-line turn the event into a pressure point for characters who have spent years living under predictions of catastrophe.

X-Men: The Trial of Gambit Omnibus puts Remy LeBeau’s charm under harsh light, forcing old secrets, betrayal and loyalty to collide around one of the team’s most slippery figures. Scott Lobdell and Joe Madureira give the era its big 90s energy while the story asks whether the X-Men can forgive what they finally understand.

X-Men: Onslaught Aftermath Omnibus follows the mutant line after one of its biggest psychic disasters, when the team has to rebuild trust, direction and identity in a world shaken by Onslaught. The interest is not only what exploded, but how the X-Men keep moving after the explosion changes the shape of everything around them.

X-Men/Avengers: Onslaught Omnibus brings the mutant line and the wider Marvel universe together around a psychic threat born from the darkest edges of heroism itself. Fabian Nicieza, Scott Lobdell, Adam Kubert and Andy Kubert give the event the huge crossover force of the 90s, with Xavier’s dream twisted into something terrifying.

X-Men: Road to Onslaught Omnibus Vol. 2 tightens the approach to the Onslaught crisis, with tension building through fractured trust, psychic unease and a mutant world that cannot yet see the full shape of the threat forming around it. It is a volume about warning signs before disaster becomes visible.

X-Men: Road to Onslaught Omnibus Vol. 1 begins the slow pressure build toward one of the 90s X-line’s defining disasters. Fabian Nicieza, Scott Lobdell, Andy Kubert and Joe Madureira keep the era busy, emotional and unstable, with the team still fighting ordinary battles while something much larger gathers behind them.

X-Men: Inferno Omnibus turns New York into a demonic pressure cooker where private trauma, mutant drama and supernatural catastrophe all erupt at once. Chris Claremont, Louise Simonson, Jon Bogdanove and Marc Silvestri make the crossover feel grotesque, emotional and huge, with Madelyne Pryor’s pain at the centre of the fire.

X-Men: Inferno Prologue Omnibus gathers the emotional and supernatural fuse before Inferno erupts, with the X-books already full of secrets, corrupted spaces and characters moving toward a crisis they cannot yet name. It works because the dread arrives before the demons do.

X-Men: Fall of the Mutants Omnibus captures an era where the X-Men, X-Factor and New Mutants all face transformations that feel existential rather than cosmetic. Chris Claremont, Louise Simonson, Jon Bogdanove and Marc Silvestri build stories about sacrifice, identity and what survives after the old shape of a team breaks.

X-Men: Mutant Massacre Omnibus is one of the X-line’s most brutal turning points, sending the team into the Morlock tunnels and leaving wounds that echo through years of stories. Chris Claremont, Louise Simonson, Marc Silvestri, Rick Leonardi and Walter Simonson make the event feel like trauma rather than spectacle.

X-Men: Mutant Massacre Prelude Omnibus gathers the material that makes the later disaster land harder, showing the X-Men world before the tunnels become a wound. Chris Claremont, Barry Windsor-Smith and John Romita Jr. give the prelude its tension: relationships, threats and unease gathering before the line changes shape.

X-Men: Blue & Gold – Bloodties Omnibus sits in the early-90s mutant line where teams, families and political pressure constantly overlap. Fabian Nicieza, Scott Lobdell and Joe Madureira bring the big visual energy of the period while the story keeps returning to legacy, allegiance and the cost of inherited conflict.

X-Men: Blue & Gold – Mutant Genesis Omnibus captures the explosive early-90s relaunch energy of the X-Men, with Chris Claremont and Jim Lee reshaping the team’s visual identity for a new era. It is bright, crowded, dramatic and built around the moment when mutant comics became the centre of Marvel’s pop force.

Dazzler Omnibus gives Alison Blaire the strange, glittering Marvel career she deserves: music, celebrity pressure, mutant identity and superhero danger all colliding under stage lights. The charm is how specific it feels, turning a disco-era concept into a character constantly negotiating performance and survival.