Incredible Hulk by Peter David Omnibus Vol. 4

Hulk: Maestro by Peter David Omnibus gathers three decades of the Hulk's darkest what-if. The Maestro is a future Bruce Banner who kept the Hulk's raw power and his own intelligence but lost the conscience that held the monster back. It begins with Future Imperfect (1992), Peter David and George Perez's landmark story where the present-day Hulk is thrown a century forward to face the tyrant he could become, and closes with the modern origin trilogy — Maestro, War and Pax and World War M — that shows exactly how he crossed that line. A complete study of a hero fully embracing villainy.

Al Ewing reinterprets the Hulk as a horror comic. Radical premise: by day Banner is dead, by night he returns. Mixes body horror, existential reflection, political critique and superheroic action in one package. Art by Joe Bennett in line with Bernie Wrightson on Swamp Thing. Eisner-nominated, critically acclaimed contemporary cult work.

Peter David wrote the Hulk for twelve years, longer than any other writer, and this first omnibus is where he starts turning a monster comic into a book about dissociation. David's first move is to bring back the grey Hulk as a Las Vegas enforcer with Banner's cunning and none of his restraint, which is the version most readers had never seen. This volume also contains his complete early collaboration with Todd McFarlane, drawn right before McFarlane went to Spider-Man.

Donny Cates and Ryan Ottley reimagined the Hulk for a new era with a concept that is both simple and genuinely disturbing: Bruce Banner has trapped the Savage Hulk inside a mental construct resembling a massive starship, piloting him like a weapon. The Starship Hulk premise allowed Cates to explore the Banner/Hulk relationship in a fresh way while Ottley — best known for his decade-long run on Invincible — brought explosive, large-scale action that pushed the book's visual ambition to new heights. This is one of the most distinctive modern Hulk runs, collecting a complete creative vision in a single oversized volume.

The Hulk debuted in 1962 and was cancelled after six issues. Marvel then spent the rest of the decade finding him a home in Tales to Astonish until he could carry a title again. The six-issue original series is where Lee and Kirby work out what the character is — grey in #1, changing at nightfall, then turning green and losing the schedule — and the Tales to Astonish run is where Ditko and Kirby settle him into the Marvel Universe. It is the full, messy origin rather than the tidy version.

The second Incredible Hulk omnibus covers Peter David's most celebrated stretch, when the Hulk's personalities merged and the book became a study of an integrated mind under pressure. The Pantheon arrives, Doc Samson integrates grey, green and Banner into one person, and issue #400 pays off the Leader's long campaign. David spends the rest of the volume testing whether the merger holds against the Abomination, the U-Foes and Freedom Force. It is the run's centre of gravity.

This omnibus gathers Peter David's later Hulk work: the stories he returned to write after leaving the monthly title, spread across two decades. The End is the centrepiece: the last man on Earth is Bruce Banner, and he cannot die because the Hulk will not let him. It is eight pages of premise and thirty of consequence, and it is the bleakest thing Marvel has published about the character. The rest of the volume is David revisiting a run he clearly never finished with.

Peter David wrote the Hulk for twelve years, longer than anyone, and turned a monster book into a study of dissociation. This second omnibus covers the arrival of the Pantheon and the merging of the Hulk's personalities. This is the run's centre of gravity: Doc Samson finally integrates grey, green and Banner into one person, and David spends the rest of the volume testing whether that holds under the Abomination, the U-Foes, Freedom Force and the returning Leader. Issue #400 is the payoff. If you only own one Peter David Hulk omnibus, it is this one.

Hulk: Maestro by Peter David Omnibus gathers three decades of the Hulk's darkest what-if. The Maestro is a future Bruce Banner who kept the Hulk's raw power and his own intelligence but lost the conscience that held the monster back. It begins with Future Imperfect (1992), Peter David and George Perez's landmark story where the present-day Hulk is thrown a century forward to face the tyrant he could become, and closes with the modern origin trilogy — Maestro, War and Pax and World War M — that shows exactly how he crossed that line. A complete study of a hero fully embracing villainy.

Aquaman by Peter David Omnibus collects the run that rebuilt the character from scratch in the 1990s: the beard, the harpoon hand, the temper. Peter David took a hero who had become a punchline and turned him into an angry, funny, genuinely dangerous king, and almost every modern take on Aquaman — including the films — starts from what he did here. Over 1,500 pages in a single oversized hardcover.

Young Justice Omnibus Vol. 2 continues Peter David's run through its later, darker stretch, as the team gains members, loses its innocence and heads towards the events that would fold them into the Teen Titans. The comedy stays, but the stakes stop being theoretical.

Young Justice, collected as a pack of 2 oversized omnibus volumes and cheaper than buying them one by one. Young Justice Omnibus Vol. 1 collects Peter David and Todd Nauck's run, in which Robin, Superboy and Impulse form a team with no adult supervision and considerably less competence than the Teen Titans. It is the funniest sustained superhero book DC published in the late nineties, and the direct source of the animated series. Young Justice Omnibus Vol. 2 continues Peter David's run through its later, darker stretch, as the team gains members, loses its innocence and heads towards the events that would fold them into the Teen Titans. The comedy stays, but the stakes stop being theoretical.

Superman: Our Worlds at War, collected as a pack of 2 oversized omnibus volumes and cheaper than buying them one by one. Superman: Our Worlds at War Omnibus Vol. 1 throws Superman and the wider DC universe into a conflict big enough to feel like a real planetary crisis. Joe Kelly, Doug Mahnke and the Superman line use cosmic scale to test Clark's role as protector when the threat is not just a villain, but war itself. Superman: Our Worlds at War Omnibus Vol. 2 focuses on DC's war-scale Superman event, with Superman shaped by cosmic conflict, grief, heroism under pressure and the cost paid by people around Superman. The appeal is not only continuity; it is watching a specific DC period find its tone, cast and visual rhythm.

Peter David returns to the black-suit era with the fun question every symbiote reader asks: what else happened before Peter understood what the costume really was? This omnibus fills that dangerous gap with Mysterio, Hobgoblin, Doctor Strange, Kang, Knull, Hulk, Black Cat trouble and even a 2099 detour for Miguel O'Hara. It is Spider-Man symbiote material with modern pace, old-school continuity hooks and a direct road toward Venom mythology.

Peter David wrote the Hulk for twelve years, longer than any other writer, and this first omnibus is where he starts turning a monster comic into a book about dissociation. David's first move is to bring back the grey Hulk as a Las Vegas enforcer with Banner's cunning and none of his restraint, which is the version most readers had never seen. This volume also contains his complete early collaboration with Todd McFarlane, drawn right before McFarlane went to Spider-Man.

Spider-Man 2099 Omnibus Vol. 2 collects Peter David's modern return to Miguel O'Hara. Where Vol. 1 was the cyberpunk future, this volume strands the Spider-Man of 2099 in the present day — arriving just as Alchemax, the corporation that will corrupt his future, is being founded, and giving him a chance to change history before it happens. His plan is derailed by the multiversal war of Spider-Verse, and his eventual return home lands him in a 2099 seized by the Maestro. Drawn mainly by Will Sliney, it's a complete, self-contained era of the character now famous from Across the Spider-Verse.