Batman: Whatever Happened to the Caped Crusader? The Deluxe Edition

Patrick Gleason wrote and drew Robin: Son of Batman after years drawing Damian Wayne in Batman and Robin, giving him a solo book about atonement. The premise is the Year of Blood: Damian retracing the atrocities the League of Assassins made him commit as a child and undoing each one. Gleason knows the character better than anyone, and having him on script and art gives the book a coherence solo Robin series rarely achieve.

The Man Who Laughs is Ed Brubaker and Doug Mahnke's account of Batman's first encounter with the Joker, written as a direct continuation of Frank Miller's Year One. Brubaker writes the Joker as a public health emergency rather than a nemesis — poisoned reservoirs, televised threats, a city that does not yet know what it is dealing with — and Mahnke draws the victims' faces, which is the detail everyone remembers. Made of Wood is the other draw: a genuine detective story with the Golden Age Green Lantern.

Batman and Spawn crossed over twice in 1994, once from each publisher, with Frank Miller and Doug Moench writing and Todd McFarlane and Klaus Janson drawing. The 1994 books are a document of the moment Image was outselling DC and the two companies had to negotiate as equals. The 2022 one-shot is the reason to buy it now: McFarlane and Capullo, the two definitive Spawn and Batman artists, on the same book for the first time.

The Killing Joke was published in 1988 as a one-shot in which the Joker sets out to prove that one bad day is all it takes to break anyone. Bolland finishes his own art and the control is the point: the Joker is terrifying because the drawing never flinches. The recolouring is genuinely different from the 1988 version — flatter, colder, with the flashbacks in near-monochrome — and it is the reason this edition exists. It remains the most cited Joker story ever published.

Before The Long Halloween, Jeph Loeb and Tim Sale produced three Halloween specials for Legends of the Dark Knight between 1993 and 1995. They are where the pair worked out the seasonal structure and noir framing that would define their later work together. Haunted Knight is short, and that is its strength: three complete stories that show Loeb and Sale finding their voice in real time. Read before The Long Halloween it supplies context; read after it works as a set of character studies about fear and obligation. For collectors of the Loeb/Sale run, it is the missing first volume.

The Black Mirror was Scott Snyder’s first major DC work, published while Bruce Wayne was absent and Dick Grayson was wearing the cowl. It established Snyder as a Batman writer and led directly to his New 52 run with Greg Capullo. This is Gotham written as horror rather than crime: the threat is a quiet, articulate young man who explains himself calmly, and the tension comes from a father who already knows what his son is. It also makes the strongest case ever published for Dick Grayson as Batman, which is why it stands alone even for readers who skip the surrounding continuity.

Sean Gordon Murphy pitched a Batman story set outside continuity and was given something rare: full control of script and art, and a Gotham of his own that DC has since expanded into a whole line. White Knight is the strongest recent entry point for a reader with no Batman background: no crossovers, no prior reading, one authorial voice on script and art. It also commits to its argument instead of walking it back in the last chapter, which is rare for a Batman story that questions Batman.

Jeph Loeb and Tim Sale followed their Halloween specials with a thirteen-issue murder mystery set during Batman’s early years, when Gotham still belonged to the Falcone family and the costumed criminals were only beginning to appear. It was conceived as a direct sequel to Frank Miller’s Year One and became the template for a generation of Batman crime stories. The Long Halloween is one of the few Batman stories that works equally as detective fiction and as tragedy: the mystery holds up, but the real subject is a good man being destroyed in slow motion. Tim Sale’s silhouettes and Gregory Wright’s seasonal colour make each chapter feel like a different month. It is the book Christopher Nolan drew on most heavily for The Dark Knight, and it remains the standard recommendation for a reader’s second Batman purchase after Year One.

Death of the Endless spends one day every century living as a mortal, so that she understands what she takes. Gaiman gives her two miniseries of her own, and Chris Bachalo draws her as the least frightening thing in any room she walks into.

Dream goes to Hell to free a woman he condemned there, and comes back to find that Lucifer has handed him the key to the whole place. Book Two contains Season of Mists and A Game of You, the point at which the series stops being about horror and starts being about responsibility and the cost of never changing your mind.

The story that made Vertigo. An occult order tries to capture Death and catches her brother instead, and when Dream of the Endless finally escapes after seventy years he has to rebuild a kingdom that fell apart without him. Book One is where Gaiman goes from writing a horror comic to writing the thing everyone else has been copying since.

The Sandman: The Deluxe Edition Book Five closes the series with The Wake and the final stories, in which the Dreaming buries its king and the people whose lives he touched get their last word. It is one of the few long-form comics that ends exactly as well as it began.

The Sandman: The Deluxe Edition Book Four collects the run into The Kindly Ones, the longest and darkest arc of the series, in which everything Dream has done across seventy issues comes back for payment. Marc Hempel's stylised artwork divided readers and is now regarded as the right choice.

The Sandman: The Deluxe Edition Book Three collects the middle stretch of Neil Gaiman's series, including Brief Lives, in which Dream and his sister Delirium go looking for their missing brother and the consequences reshape the rest of the story.

The Sandman: Overture Deluxe Edition collects the prequel Neil Gaiman wrote twenty-five years after the original series, explaining what left Morpheus weakened enough to be captured in Sandman #1. J.H. Williams III draws it, and the pages are among the most elaborate ever printed in a mainstream comic.

Books of Magic Omnibus Vol. 3 closes out Tim Hunter's Vertigo run, including the later Hunter: The Age of Magic material. It is the end of one of the imprint's longest continuous stories about growing up with power you did not ask for.