Batman Adventures: Mad Love Deluxe Edition (New Edition)

Harley Quinn by Amanda Conner & Jimmy Palmiotti, collected complete as a pack of 3 oversized omnibus volumes and cheaper than buying them one by one. Harley Quinn by Amanda Conner and Jimmy Palmiotti Omnibus Vol. 1 is the run that gives Harley a loud, messy and independent solo rhythm outside the Joker's shadow. Coney Island, supporting oddballs, slapstick violence and sudden sincerity turn the book into a character engine rather than a villain spin-off. Its appeal is tonal identity: this is Harley as chaotic lead, community magnet and comic disaster with enough heart to keep the anarchy readable. Harley Quinn's adventures in Coney Island continue in the second volume of the Amanda Conner and Jimmy Palmiotti run. Harley has established herself as Coney Island's unofficial protector, builds her own gang, and takes on threats ranging from local crime to cosmic weirdness. The series maintains the anarchic energy of the first volume while deepening the supporting cast and Harley's relationships. One of DC's most purely entertaining series of the 2010s, continuing the run that made Harley Quinn a star. Harley Quinn by Amanda Conner and Jimmy Palmiotti Omnibus Vol. 3 keeps the run’s manic rhythm while pushing Harley through friendship, violence, jokes and sudden sincerity.

Amanda Conner and Jimmy Palmiotti wrote Harley Quinn for six years and turned her from a Batman villain into a lead who carries her own neighbourhood. Conner and Palmiotti write Harley as fundamentally decent and completely unhinged, and the Coney Island supporting cast, her tenants, her roller derby team, her rescued animals, is the reason the run works. Conner's art is among the most expressive in mainstream comics and the book is genuinely funny rather than edgy.

Amanda Conner and Jimmy Palmiotti moved Harley Quinn to Coney Island and gave her a building, a gang of misfits and a life entirely separate from Batman. Separating Harley from the Joker is what made the character work as a lead, and this run is where DC committed to it. Conner's art carries the comedy, and the supporting cast of tenants and sideshow performers gives her something to protect that is entirely her own.

Harley Quinn & the Gotham City Sirens Omnibus collects the complete Gotham City Sirens run, putting Harley Quinn, Catwoman and Poison Ivy at the centre of their own Gotham team book. Across Gotham City Sirens #1-26 and Catwoman #83, the volume follows a trio built on friendship, secrets and bad decisions rather than another Batman-led storyline.

Harley Quinn's adventures in Coney Island continue in the second volume of the Amanda Conner and Jimmy Palmiotti run. Harley has established herself as Coney Island's unofficial protector, builds her own gang, and takes on threats ranging from local crime to cosmic weirdness. The series maintains the anarchic energy of the first volume while deepening the supporting cast and Harley's relationships. One of DC's most purely entertaining series of the 2010s, continuing the run that made Harley Quinn a star.

Harleen collects Stjepan Sejic's painted retelling of how Dr. Harleen Quinzel became Harley Quinn, told entirely from her point of view. She is a serious clinician with a grant, a thesis about empathy and a growing suspicion that Gotham's justice system creates the monsters it punishes. The Joker does not seduce her so much as agree with her, and that is what makes the book frightening.

Batman: White Knight Presents: Harley Quinn and Generation Joker collects two spin-offs from Sean Murphy's White Knight universe: Harley investigating a copycat while raising the Joker's twins, and those twins grown into a story of their own.

Thirty years of Harley Quinn in one volume, from her first appearance as the Joker's henchwoman in the animated series to the solo antihero who now outsells most of the Bat family. The anniversary collection picks the turning points rather than the best sellers, which makes it the clearest map of how the character changed.

The animated-continuity Batman comics, collected as a pack of 2 oversized omnibus volumes and cheaper than buying them one by one. The Batman Adventures was the comic spun off from Batman: The Animated Series, written for the same audience and, as it turned out, for everyone else too. Mad Love alone justifies the volume: Paul Dini and Bruce Timm's Harley Quinn origin, which won an Eisner and became the version DC has used ever since. The rest is the animated house style at its best, clean, self-contained stories that work for a child and hold up for an adult, which is rarer than it sounds. The Batman & Robin Adventures followed The Batman Adventures, continuing the animated-series comic after Robin joined the cast and the show's design changed. The Lost Years is the reason collectors chase this: it fills the gap between the original series and The New Batman Adventures, explaining where Dick Grayson went and how Tim Drake arrived. The rest is the same discipline as the first omnibus, short, complete stories with no continuity homework, aimed at any age.

Batman by Paul Dini Omnibus is Batman as detective first and superhero second. Dini brings compact Gotham mysteries where the case matters as much as the costume, and where villains such as Hush, Riddler and Harley Quinn stay personal rather than decorative.

Hush was the 2002 storyline that put Jeph Loeb and Jim Lee on Batman together, and it remains one of the best-selling Batman books ever published. The structure is a tour of the rogues' gallery with a hidden hand behind it, and Jim Lee draws every one of them at full scale, which is why the book sells to people who own nothing else. Collecting the Gotham Knights and Detective follow-ups is what makes this the complete saga rather than just the original twelve issues.

The Batman & Robin Adventures followed The Batman Adventures, continuing the animated-series comic after Robin joined the cast and the show's design changed. The Lost Years is the reason collectors chase this: it fills the gap between the original series and The New Batman Adventures, explaining where Dick Grayson went and how Tim Drake arrived. The rest is the same discipline as the first omnibus, short, complete stories with no continuity homework, aimed at any age.

Batman: The Arkham Saga Omnibus collects the comics surrounding the Arkham games, where Gotham is filtered through the continuity, villains and brutal atmosphere of Rocksteady's universe. The appeal is not a standard Batman run but a game-continuity shelf piece: Joker, Harley, the rogues and Arkham's institutional nightmare expanding around the versions many readers met through the games. It belongs with Batman, but its identity is specifically Arkham-world storytelling.

Batman: Gotham Adventures is the comic spun off from The New Batman Adventures, continuing the animated series in print with the same design language. The animated house style forces discipline: every issue is a complete story with a beginning and an end, no continuity to catch up on, and villains written to be understood in twenty-two pages. It is the most reliable Batman comic to hand to someone who has never read one.

Paul Dini wrote Zatanna's 2010 solo series, bringing the character he had written for years in animation into her own book as a working stage magician. Dini writes magic as showmanship, Zatanna performs for paying audiences and the real spells are an occupational hazard, and Stéphane Roux and Cliff Chiang draw it. Bloodspell, the Black Canary team-up graphic novel, is the standout and is otherwise hard to find.

Harley Quinn & the Gotham City Sirens Omnibus collects the complete Gotham City Sirens run, putting Harley Quinn, Catwoman and Poison Ivy at the centre of their own Gotham team book. Across Gotham City Sirens #1-26 and Catwoman #83, the volume follows a trio built on friendship, secrets and bad decisions rather than another Batman-led storyline.