Spider-Man

Amazing Spider-Man: Beyond Omnibus

Beyond was the year Marvel took Spider-Man away from Peter Parker and handed the role to Ben Reilly, sponsored by a corporation with its own plans for the brand. The premise is corporate rather than heroic: Ben Reilly gets sponsorship, training and a target on his back, while whatever happened to Peter is kept off the page for months. Morbius, Kraven, the Queen Goblin and a returning Doctor Octopus keep the pressure on, and the collision between the two Spider-Men is what the whole year was built toward.

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Ultimate Spider-Man Omnibus Vol. 1

Ultimate Spider-Man Omnibus Vol. 1 begins Brian Michael Bendis and Mark Bagley's modern Peter Parker from the ground up: high school pressure, first victories, brutal mistakes and the villains that make growing up as Spider-Man dangerous.

94.90 € 125.00 € -24%

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Amazing Spider-Man by J. Michael Straczynski Omnibus Vol. 2

The second half of Straczynski's run takes Spider-Man through Civil War and ends with One More Day, the most argued-about Spider-Man story of the century. The Other, Civil War and Back in Black are all here, along with Peter unmasking publicly and then losing everything for it. One More Day is the ending Straczynski publicly disowned, and reading the run complete is the only way to judge whether the deal with Mephisto was earned. Historically, this volume matters more than most.

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Amazing Spider-Man Omnibus Vol. 1

Amazing Spider-Man Omnibus Vol. 1 is the foundation of Peter Parker as a different kind of superhero: insecurity, guilt, jokes, money trouble and responsibility all arriving at once. Stan Lee and Steve Ditko introduce the origin, Aunt May, J. Jonah Jameson and the villains who shape Spider-Man's earliest mythology.

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Amazing Spider-Man by J. Michael Straczynski Omnibus Vol. 1

J. Michael Straczynski wrote Amazing Spider-Man for six years, opening with a stranger in Peter's kitchen who claims his powers are not an accident. Ezekiel and the totemic origin are the run's contested idea, but the volume's real strength is elsewhere: Peter teaching at his old school, Aunt May discovering the costume in a scene that ranks among the best pages in the character's history, and John Romita Jr. drawing the whole thing. The renumbering back to #500 happens here too.

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Ultimate Spider-Man Omnibus Vol. 3

Ultimate Spider-Man ran for over a decade without a reboot, and this third omnibus covers the years when Brian Michael Bendis let his teenage Peter Parker actually grow up. Mark Bagley finishes his record-breaking run here and Stuart Immonen takes over, and the book handles the transition better than most. This stretch contains the Clone Saga rewrite — Bendis fixing in twelve issues what took the main universe two years to ruin — and the Ultimate Knights arc. It also builds toward the death of Peter Parker.

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Spider-Man: Brand New Day Omnibus Vol. 1

Spider-Man: Brand New Day Omnibus Vol. 1 begins the controversial post-One More Day reset, returning Peter Parker to a single, struggling, unlucky status quo while Amazing Spider-Man shifts to rotating creative teams and rapid publication rhythm. It is messy history, but it is also the rebuild of modern Peter.

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Superior Spider-Man Omnibus Vol. 1

Superior Spider-Man is the year Doctor Octopus wore Peter Parker's body and ran his life, convinced he could do it better. Dan Slott wrote it after eight years of building toward exactly this. The premise works because Otto genuinely is better at parts of it: he finishes Peter's doctorate, upgrades the equipment and dismantles the rogues' gallery. What he cannot do is be a person people want around, and the run is about that gap closing. Amazing #700 is here, which is where the swap becomes permanent.

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Amazing Spider-Man Omnibus Vol. 6

The sixth Amazing omnibus covers the late seventies, including Marv Wolfman's complete run as writer and editor on the title. Wolfman's stretch introduced the Black Cat, who has been in Spider-Man's life ever since, and pushed the book toward the crime-adjacent tone it kept through the eighties. The F.O.O.M. and calendar material is the kind of thing that only appears in omnibus editions and never gets reprinted otherwise.

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Ultimate Spider-Man Omnibus Vol. 5

The fifth Ultimate Spider-Man omnibus is the end of Peter Parker's story in that universe, and the beginning of Miles Morales'. Death of Spider-Man is here, and it is one of the few superhero deaths that held: Peter dies at sixteen, in front of his family, and stays dead for years. Ultimate Fallout #4 is the first appearance of Miles Morales. Ultimate Marvel Team-Up is the other draw — early Bendis with artists like Bill Sienkiewicz and Mike Allred.

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Spider-Man: The Complete Black Costume Saga Omnibus

PRH presents this as the full saga of Spider-Man's black costume before it becomes tied to Venom. The appeal is watching something that looks like an upgrade slowly reveal itself as a living problem Peter cannot simply take off. This is the clean omnibus shelf for the black costume era before Venom fully takes over the conversation. It lets readers follow the change across the main Spider-Man titles instead of piecing the saga together issue by issue.

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Ultimate Spider-Man Omnibus Vol. 4

Ultimate Spider-Man Omnibus Vol. 4 keeps Brian Michael Bendis' Peter Parker moving through change, new collaborators and heavier choices, while the Ultimate version of Spider-Man grows beyond its opening era.

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Amazing Spider-Man Omnibus Vol. 3

The third Amazing Spider-Man omnibus covers the transition from Stan Lee and John Romita Sr. to Gerry Conway, and the two issues that ended the Silver Age of the character. Issues #121-122 are here: the Green Goblin, Gwen Stacy and the George Washington Bridge. Nothing in superhero comics had done that before, and the industry treats it as the moment the genre stopped guaranteeing happy endings. The volume also contains the six-armed Spider-Man arc and the first appearances of Morbius and the Punisher.

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Spider-Man: Brand New Day Omnibus Vol. 3

Closing of the rotating phase before the start of Dan Slott's Big Time. The writers close their individual arcs and prepare the ground for the next phase: Horizon Labs, Spider-Island and the preparation of Superior Spider-Man. The end of Marvel's most ambitious editorial experiment with the character in decades.

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Web of Spider-Man Omnibus Vol. 2

Web of Spider-Man was the fourth monthly Spider-Man title, launched in 1985, and it spent its run being the place where other people's ideas got tested. The writing roster alone is the argument: Gerry Conway, Christopher Priest, Peter David, Fabian Nicieza, Steve Gerber and David Michelinie, each getting a few issues. It also carries the Inferno crossover chapters and Spider-Man's brief run with cosmic powers, both of which are hard to find collected elsewhere.

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Amazing Spider-Man by Nick Spencer Omnibus Vol. 1

Nick Spencer wrote Amazing Spider-Man for four years with a single goal: undoing One More Day and putting Peter and Mary Jane back together without a reset button. Volume 1 is the setup: Peter's doctorate collapsing, Mary Jane back in his life, and the Hunted arc, in which Kraven turns Central Park into a hunting ground. Spencer writes the supporting cast better than anyone since the nineties, and Ryan Ottley and Humberto Ramos make it look like a mainstream Spider-Man book should.

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Amazing Spider-Man Omnibus Vol. 4

The fourth Amazing omnibus is the Gerry Conway and Ross Andru era in full: Peter Parker after Gwen's death, working out how to keep going. This stretch contains the original Clone Saga — the 1975 storyline that Marvel would revisit disastrously twenty years later — plus the debuts of the Punisher, Hammerhead and the Jackal. It is also where Mary Jane moves from background character to lead, which is the quiet structural work that made the next four decades possible.

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Spider-Man: Clone Saga Omnibus Vol. 1

The first Clone Saga omnibus covers the opening year, when Ben Reilly returns to New York after five years away and Peter Parker's certainty about who he is starts to erode. The early months are much better than the saga's reputation suggests: two men with the same memories, neither certain which is the copy, written as tragedy rather than as a twist. This volume also contains Aunt May's death — the one Marvel later undid — and the Kaine material that made him a lasting character.

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Ultimate Spider-Man Omnibus Vol. 2

Ultimate Spider-Man Omnibus Vol. 2 is where Bendis and Bagley prove the Ultimate version can sustain long-form Spider-Man drama, not just retell the origin. Ultimate Venom, Kraven and Peter's wider Marvel contact expand the world without losing teen intimacy. The value is momentum: Bendis and Bagley turning the alternate universe into a sustained Spider-Man shelf through dialogue, consequence and Peter's expanding Marvel world.

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Spectacular Spider-Man by DeMatteis & Buscema Omnibus

J.M. DeMatteis and Sal Buscema spent five years on Spectacular Spider-Man doing what the other titles could not: slow, psychological stories about the people around Peter Parker breaking down. Kraven's Last Hunt gets the attention, but this is the run that followed it, and Soul of the Hunter is its direct sequel. The Harry Osborn arc across #178-200 is the best Green Goblin material Marvel has published: a friend deteriorating in public, with Peter unable to stop it. Buscema draws grief better than action, and DeMatteis lets him.

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Spider-Man by Todd McFarlane Omnibus

Spider-Man by Todd McFarlane Omnibus collects McFarlane's solo Spider-Man title, where his writing and art push the character into a darker, more stylised early-1990s mode. The volume is centred on stories such as Torment, with the Lizard, supernatural atmosphere and exaggerated movement defining the book's identity.

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Spider-Verse/Spider-Geddon Omnibus

Spider-Verse (2014) and Spider-Geddon (2018) are the two crossovers that turned every Spider-Man from every reality into a single cast, and made Spider-Gwen, Spider-Punk and Peni Parker permanent parts of Marvel. Both events in one book is the whole argument: read separately they feel like sprawl, read together they are one story about the Inheritors hunting a species. This is also the origin point for the Spider-Verse films' cast, which makes it the single most requested Spider-Man omnibus for readers arriving from the screen.

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Amazing Spider-Man Omnibus Vol. 2

Amazing Spider-Man Omnibus Vol. 2 moves the original series into the John Romita Sr. era, where Peter Parker's world becomes brighter, more romantic and more socially tangled. Mary Jane Watson steps fully onto the stage, the Kingpin arrives, and Spider-Man's supporting cast starts to feel like a living Marvel soap opera.

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Spider-Man by Roger Stern Omnibus

Spider-Man by Roger Stern Omnibus collects Roger Stern's Spider-Man work across the period that gives the character the Hobgoblin mystery, sharp Peter Parker drama and memorable John Romita Jr. artwork. It is a focused creator-era volume for readers who want Stern's voice on Spider-Man in one oversized collection.

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Web of Spider-Man Omnibus Vol. 1

Web of Spider-Man launched in 1985 as the fourth Spider-Man monthly, taking over the numbering slot left by Marvel Team-Up and opening with the black costume turning out to be alive. The first issue is the one where the symbiote tries to bond with Peter permanently, and the Kraven's Last Hunt chapters from Amazing and Spectacular are collected alongside Web's own. That crossover is the best Spider-Man story of the eighties, and having its parts in one place is the main argument for this volume.

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Amazing Spider-Man by David Michelinie and Todd McFarlane Omnibus

Amazing Spider-Man by David Michelinie and Todd McFarlane Omnibus collects the era where Venom's first full appearance and McFarlane's visual reinvention change the look and energy of Spider-Man. Michelinie builds Eddie Brock and the symbiote's focused hatred, while McFarlane pushes the webs, poses and New York detail into a new late-1980s style.

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Spider-Man's Tangled Web Omnibus

Collects the entire Tangled Web anthology (2001-2003), the series that handed Spider-Man to some of comics' strongest voices and let them look away from the hero. Garth Ennis and John McCrea's Rhino two-parter, Greg Rucka and Eduardo Risso's noir, and Peter Milligan and Duncan Fegredo's tales sit alongside work by Brian Azzarello, Darwyn Cooke and Paul Pope, all in one hardcover.

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Untold Tales of Spider-Man Omnibus

Untold Tales of Spider-Man was Kurt Busiek's mid-nineties series set between the earliest Amazing Spider-Man issues, written for readers who wanted the character without thirty years of continuity. Busiek's rule was strict: nothing could contradict the Lee and Ditko issues, so every story had to fit in the gaps. The result is one of the best Spider-Man runs of the decade, published at a quarter of the price of the main titles and largely ignored at the time. Pat Olliffe draws it in period style.

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Spider-Man by John Byrne Omnibus

John Byrne's Spider-Man work spans two very different moments: his early team-up issues in the seventies and Spider-Man: Chapter One, his 1998 attempt to retell the origin. The Team-Up issues are Byrne learning Marvel's house style in public, and the Captain Britain material is his first work with a character he would return to for years. Chapter One is the controversial part — a retcon Marvel abandoned — but it is a genuine artefact of how the character was being handled in the late nineties.

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Symbiote Spider-Man by Peter David Omnibus

Peter David returns to the black-suit era with the fun question every symbiote reader asks: what else happened before Peter understood what the costume really was? This omnibus fills that dangerous gap with Mysterio, Hobgoblin, Doctor Strange, Kang, Knull, Hulk, Black Cat trouble and even a 2099 detour for Miguel O'Hara. It is Spider-Man symbiote material with modern pace, old-school continuity hooks and a direct road toward Venom mythology.

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Spider-Man by Michelinie & Bagley Omnibus Vol. 2

David Michelinie and Mark Bagley ran Amazing Spider-Man through the early nineties, the years when Venom became a franchise and Carnage arrived. Maximum Carnage's opening chapters are here, along with Lethal Protector, the miniseries that turned Venom from villain to antihero and sold on that alone. Bagley's Spider-Man is the version a generation grew up with, and this is the run at its commercial peak.

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Ultimate Comics Spider-Man: Death of Spider-Man Omnibus

The event omnibus that closes Peter Parker's Ultimate Spider-Man story and sets up the arrival of Miles Morales. Brian Michael Bendis pushes the long-running Ultimate saga into its final confrontation, then follows the shock through Ultimate Fallout. A key companion to the Ultimate Spider-Man omnibus line.

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Spider-Man by Michelinie & Larsen Omnibus

David Michelinie and Erik Larsen's Amazing Spider-Man is where Venom stopped being a one-off and became the character who could carry a book by himself. Issue #332 is the run's centre: Venom back with a plan, and Larsen drawing him as something that does not obey anatomy. The volume also contains the Cosmic Spider-Man arc, in which Peter briefly gets unlimited power and the book has to work out what to do with a Spider-Man who cannot lose.

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Spider-Man by Chip Zdarsky Omnibus

Chip Zdarsky's Spider-Man work is spread across Peter Parker: The Spectacular Spider-Man and Spider-Man: Life Story, and it is built on the relationships rather than the villains. Zdarsky writes Spider-Man as a person with friends, which sounds obvious and almost nobody does. The Jameson issue in particular is one of the best single Spider-Man comics of the last decade, and the Osborn world arc lets him show what the character actually prevents.

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Superior Spider-Man: Returns Omnibus

Superior Spider-Man was the year Doctor Octopus took over Peter Parker's body and tried to be a better Spider-Man than Peter, largely succeeding. This omnibus collects everything around the main series. The tie-ins are where the premise gets tested by people who knew Peter: the Avengers running diagnostics, Daredevil noticing something is wrong, the X-Men reacting to a Spider-Man who is willing to kill. Reading them alongside the main run is what makes Otto's deception feel precarious rather than comfortable.

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Spider-Man: Clone Saga Omnibus Vol. 2

The Clone Saga ran for two years across four monthly titles and is the most notorious storyline in Spider-Man's history: the reveal that Peter Parker might be the clone. Volume 2 is where the story commits: Maximum Clonage, the Jackal's plan at full scale, and the point at which Marvel had to decide whether to keep Ben Reilly as Spider-Man. Read as a whole it is far more coherent than its reputation, and reading it in one volume is the only way to see the structure the monthly schedule buried.

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Amazing Spider-Man Omnibus Vol. 5

Amazing Spider-Man Omnibus Vol. 5 continues Peter Parker's Bronze Age stretch after the first Clone Saga, with Gerry Conway, Roy Thomas and Ross Andru shaping a Spider-Man who feels older, more socially rooted and increasingly defined by relationships. Mary Jane, Aunt May, the Daily Bugle and a changing Marvel New York give the run its texture.

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Spider-Man 2099 Omnibus Vol. 2

Spider-Man 2099 Omnibus Vol. 2 collects Peter David's modern return to Miguel O'Hara. Where Vol. 1 was the cyberpunk future, this volume strands the Spider-Man of 2099 in the present day — arriving just as Alchemax, the corporation that will corrupt his future, is being founded, and giving him a chance to change history before it happens. His plan is derailed by the multiversal war of Spider-Verse, and his eventual return home lands him in a 2099 seized by the Maestro. Drawn mainly by Will Sliney, it's a complete, self-contained era of the character now famous from Across the Spider-Verse.

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Marvel Team-Up Omnibus Vol. 1

Marvel Team-Up launched in 1972 with a simple format: Spider-Man plus one other Marvel character, every month, no continuity required. The format is the appeal: each issue is a complete story, which makes this the most readable seventies Marvel omnibus for someone dipping in rather than committing. It is also a survey of the whole line at that moment, since the guest star rotates through every book Marvel was publishing.

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Dark Web Omnibus

Dark Web is the crossover that finally put Marvel's two most famous clones in the same room: Ben Reilly, now calling himself Chasm, and Madelyne Pryor, the Goblin Queen. Both leads have the same grievance — created as copies, discarded as spares — and the crossover lets them take Manhattan apart over it. It also carries the Gold Goblin series, in which a sane Norman Osborn tries to atone, which is the best thing to come out of the event and reads perfectly well on its own.

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Superior Foes of Spider-Man Omnibus

Marvel's funniest criminal comedy, collected in its entirety. Boomerang, the Beetle, Speed Demon, Shocker, and the Chameleon: Spider-Man's B-list villains: attempt the most ambitious heist of their careers while spectacularly failing at every step. Nick Spencer and Steve Lieber blend absurdist humour with genuine character work, making you care about people who are objectively terrible at being criminals.

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Spider-Man 2099 Omnibus Vol. 1

Spider-Man 2099 Omnibus Vol. 1 throws Peter David and Rick Leonardi's future Spider-Man into a neon Marvel dystopia where corporations, identity and violence have replaced the familiar New York street-level rhythm. Miguel O'Hara is not Peter Parker in a new costume; he is a different kind of Spider-Man, born from a harsher future and forced to turn survival into responsibility.

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Amazing Spider-Man by Nick Spencer Omnibus Vol. 2

The second half of Nick Spencer's Amazing Spider-Man, in which the long game with Norman Osborn and Kindred finally pays off. Sins Rising brings back the Sin-Eater with a genuinely nasty premise, and the Last Remains arc is the best Kindred material in the run. Spencer's ending is divisive, but the volume is where every thread he planted over four years gets pulled, and Sinister War puts most of the rogues' gallery in one place.

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Spider-Man Brand New Day Omnibus Vol. 2

Brand New Day was Marvel's post-One More Day reset: Peter Parker single again, three issues a month, and a rotating team of writers running the book like a writers' room. Whatever you think of how the status quo was reached, the execution was strong: new villains that stuck (Mister Negative, Anti-Venom, Screwball), a genuine mystery in the Menace subplot, and a Spider-Man written as a broke twenty-something again. Volume 2 is where the new rogues start paying off.

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Spider-Man by Joe Kelly Omnibus

Joe Kelly's Spider-Man lives in the space where Peter Parker is funny, wounded, unlucky and somehow still standing. This omnibus gathers a sharp modern Spidey voice with artists like Chris Bachalo and Phil Jimenez bringing different kinds of impact: weirdness, weight, comedy and bruising superhero action. It is a strong creator-era volume for readers who like Spider-Man when the jokes are fast but the emotional damage still lands.

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Amazing Spider-Man by Zeb Wells Omnibus Vol. 1

Zeb Wells took over Amazing Spider-Man in 2022 with John Romita Jr., opening on a Peter Parker whose life has collapsed for reasons the reader is not told for a year. The structure is the point: the run opens after the disaster and spends twenty issues explaining it, with Peter estranged from Mary Jane and living with the consequences of something he did off-page. Fallen Friend is also here, which is the tribute issue for a long-running supporting character's death.

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Amazing Spider-Man Omnibus Vol. 7

Amazing Spider-Man Omnibus Vol. 7 moves into the Dennis O'Neil and Roger Stern period, with John Romita Jr. helping shape a sharper early-1980s Spider-Man. The volume is built around Peter Parker's next phase, the Hobgoblin mystery and stories that test how much chaos Spider-Man can absorb without losing his human centre.

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Peter Parker, The Spectacular Spider-Man Omnibus Vol. 1

Peter Parker, The Spectacular Spider-Man Omnibus Vol. 1 collects the companion series that lets Spider-Man stay closer to campus life, street-level trouble and the supporting cast around Peter. Bill Mantlo, Gerry Conway and Sal Buscema use the title to explore friendships, smaller villains and the parts of Peter's world that do not always fit inside Amazing Spider-Man.

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Spider-Man: Ben Reilly Omnibus Vol. 2

This volume closes the Clone Saga and Ben Reilly's full run as the one true Spider-Man, ending with Revelations, the storyline that killed Ben, brought back Norman Osborn and reset Peter Parker as the hero. It gathers the four 1996-97 Spider-Man ongoings plus Redemption and The Osborn Journal in one oversized hardcover, the definitive way to read the end of the 1990s Spider-Man era in order.

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Spider-Man Vs. Venom Omnibus

Spider-Man Vs. Venom Omnibus gathers the rivalry between Peter Parker, Eddie Brock and the symbiote legacy as it spreads through Spider-Man and Venom stories. The focus is the black-suit fallout, Venom's early threat, Carnage-era escalation and the way the conflict turns personal instead of simply monstrous.

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Spider-Man: Gang War Omnibus

Gang War is the 2023 crossover in which New York's crime families go to war after Tombstone is shot, and every street-level hero in the city has to pick a side. The premise forces Spider-Man into a position he normally refuses: to stop the war he has to run a gang. Having the whole crossover in one volume matters because it is genuinely distributed — the Daredevil and She-Hulk chapters carry plot the main title depends on, which is exactly the material that goes missing in single-series collections.

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Spider-Man: Ben Reilly Omnibus Vol. 1

After the Clone Saga, Ben Reilly took over as Spider-Man for a year while Peter Parker retired. This omnibus collects that experiment from the start. The Scarlet Spider months are the interesting part: a Spider-Man with no marriage, no Aunt May and no history, written as someone genuinely starting over. It is also the material Marvel returned to in 2021 for the Beyond era, which makes this the origin volume for a story still running.

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Spider-Man by Michelinie & Bagley Omnibus Vol. 1

The second Michelinie and Bagley omnibus covers the early nineties at full speed: Carnage arrives, Maximum Carnage builds, and Spider-Man's rogues' gallery gets its most violent addition. Issue #361 is Carnage's first full appearance and one of the most collected comics of the decade. Michelinie also writes the Round Robin arc and the Life Theft storyline in which Peter's parents apparently return — a plot that dominated the title for two years and is essential setup for the Clone Saga.

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Amazing Spider-Man by Zeb Wells Omnibus Vol. 2 – John Romita Jr. Cover

A Gang War rages as Zeb Wells' high-octane run concludes! Spider-Man is grief-stricken after a shocking death — but there’s no shortage of super villains lining up to put him in the grave, too! First up: a revitalized and upgraded Doctor Octopus! Then wedding bells are ringing, and Peter Parker must make it to the church on time — because he’s the best man!

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Amazing Spider-Man by Zeb Wells Omnibus Vol. 2 – Ed McGuinness Cover (Direct Market Variant)

A Gang War rages as Zeb Wells' high-octane run concludes! Spider-Man is grief-stricken after a shocking death - but there's no shortage of super villains lining up to put him in the grave, too! First up: a revitalized and upgraded Doctor Octopus! Then wedding bells are ringing, and Peter Parker must make it to the church on time - because he's the best man!

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Spider-Man by Joe Kelly Omnibus – Phil Jimenez Cover (Direct Market Variant)

One of the finest - and funniest - writers in comics spins amazing tales of Spider-Man! As one of the key creators in Spidey's "Brand New Day" era, Joe Kelly crafted a series of memorable adventures for the wall-crawler - including a clash with crime bosses Hammerhead and Mister Negative, and a romantic reunion with the Black Cat!

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Spider-Man: Brand New Day Omnibus Vol. 3 – Paolo Rivera Cover (Direct Market Variant)

The final volume of the reinvigorating "Brand New Day" era sets Spidey against a gauntlet of his deadliest foes! The violent tension between Spidey and Norman Osborn builds to a boil! Electro becomes the voice of the people! When one of Peter Parker's closest friends is on the brink of ruin, all clues point to the sinister Sandman!

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Spider-Man: Gang War Omnibus – Variant Cover (Direct Market Variant)

The complete saga of the Gang War pitting Marvel's street-level heroes against a horde of feuding crime bosses! When the gangs of New York go to war, no one is safe from the chaos that ensues - and Spider-Man knows that to beat them, he must join them. With his fellow Spider-Man Miles Morales, She-Hulk, Daredevil and Spider-Woman at his side, Spidey swings into action with the goal of shutting down these villains in under 48 hours - but will Tombstone be their biggest target or a surprising ally?

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Spider-Verse/Spider-Geddon Omnibus – Olivier Coipel Cover (New Printing)

Every. Spider-Man. Ever. Two epic tales of multiversal madness in one spider-filled Omnibus! It begins with the Inheritors - a family of killers working their way through the realities, leaving a trail of dead Spider-people in their wake! Peter Parker, Miles Morales and Jessica Drew are joined by Spider-Men, Women and Girls from across the worlds in an interdimensional battle for survival!

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Spider-Verse/Spider-Geddon Omnibus – Giuseppe Camuncoli Cover (New Printing, Direct Market Variant)

Every. Spider-Man. Ever. Two epic tales of multiversal madness in one spider-filled Omnibus! It begins with the Inheritors - a family of killers working their way through the realities, leaving a trail of dead Spider-people in their wake! Peter Parker, Miles Morales and Jessica Drew are joined by Spider-Men, Women and Girls from across the worlds in an interdimensional battle for survival!

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The Amazing Spider-Man Omnibus Vol. 7 – Frank Miller Cover (Direct Market Variant)

In an early phase of his legendary career, John Romita Jr. joins AMAZING SPIDER- MAN as ongoing artist! This Omnibus collection covers the Amazing debut of one of the greatest artists in Spideydom! Spider-Man all-time art great John Romita Jr. makes takes the reins, plus John Byrne draws a Parker crackup on campus and Frank Miller puts Spidey in the path of Doctor Strange and Punisher in a pair of Annual-sized classics!

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Ultimate Spider-Man Omnibus Vol. 2 – Mark Bagley Fiftieth Issue Cover (New Printing)

Brian Michael Bendis and Mark Bagley continue their sensational, 21st century reimagining of the world's greatest super hero! As life gets ever more complicated for Peter Parker, Spider-Man faces off against an explosive new teenage villain, has another run-in with the infamous Kingpin of Crime and meets the Black Cat - a jewel thief who will complicate Spidey's career and Peter's love life!

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Ultimate Spider-Man Omnibus Vol. 2 – Mark Bagley Carnage Cover (New Printing, Direct Market Variant)

Brian Michael Bendis and Mark Bagley continue their sensational, 21st century reimagining of the world's greatest super hero! As life gets ever more complicated for Peter Parker, Spider-Man faces off against an explosive new teenage villain, has another run-in with the infamous Kingpin of Crime and meets the Black Cat - a jewel thief who will complicate Spidey's career and Peter's love life!

94.90 € 125.00 € -24%

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Ultimate Spider-Man Omnibus Vol. 2 – John Cassaday Cover (New Printing, Direct Market Variant)

Brian Michael Bendis and Mark Bagley continue their sensational, 21st century reimagining of the world's greatest super hero! As life gets ever more complicated for Peter Parker, Spider-Man faces off against an explosive new teenage villain, has another run-in with the infamous Kingpin of Crime and meets the Black Cat - a jewel thief who will complicate Spidey's career and Peter's love life!

94.90 € 125.00 € -24%

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Web of Spider-Man Omnibus Vol. 2 – Alex Saviuk Cover (Direct Market Variant)

Sensational Spidey adventures - most of which have never been reprinted! Peter Parker gets more than he bargained for as a substitute teacher at his old school - including a rematch with the Living Brain! Spider-Man battles the Hobgoblin and the Looter - but on a trip to Las Vegas, the wall-crawler is out of his weight class when he encounters Mr.

109.90 € 150.00 € -27%

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