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About this omnibus
The third X-Factor omnibus covers the run's final years, when Peter David abandoned the detective format for something closer to a supernatural serial. The renumbering to #200 marks the shift: demons, Hela, a pregnancy with cosmic implications, and Rahne Sinclair's storyline, which is the bleakest thing in the run. David had been writing these characters for the better part of a decade by this point, and the ending he gives Jamie Madrox pays off material planted in the first volume.
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Peter David's X-Factor transitions into X-Factor Investigations — Multiple Man's detective agency with Siryn, Rictor, M, Layla Miller, Strong Guy. Noir-flavored mutant mysteries in the Decimation aftermath. David at his creative peak.
About the character
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X-Factor omnibus editions follow the original X-Men and later mutant investigations through identity crisis, Apocalypse pressure and team reinvention.
Arthur Adams drew relatively little for Marvel and influenced almost everyone who came after. This gathers all of it: the Longshot debut, the X-Men annuals that made his reputation, and a large section of pencils, covers and unused art.
PRH describes this as the final volume of Peter David's ever-evolving X-Factor. The book moves from the endgame of the 2005 series into All-New X-Factor, shifting from survival and loss to a new team model with corporate backing. This is the closing shelf for David's long modern X-Factor project. It is useful for readers who want the run's full shape: investigation, trauma, team collapse and reinvention rather than a simple superhero squad status quo.
Peter David relaunched X-Factor in 2005 as a detective agency staffed by mutants nobody else wanted, working in Mutant Town after House of M cut the population to a few hundred. The Madrox miniseries that opens the volume is a straight noir, and it sets the register: this is a book about people whose powers make ordinary life harder. Layla Miller — 'I'm Layla Miller, I know stuff' — gets her actual explanation here, and David writes Jamie Madrox's duplicates as a genuine identity problem rather than a gimmick.
The first X-Factor omnibus by Peter David covers his original run on the government-sponsored team, the one that turned a book about mutant celebrities into a comedy about therapy. Issue #87 is the famous one: a full issue of the team in mandatory psychiatric evaluation, one character at a time, which is still cited as one of the best single issues Marvel has published. David writes Multiple Man, Strong Guy and Quicksilver as people with jobs and problems, and the run is much funnier than its premise suggests.
X-Factor: The Original X-Men Omnibus Vol. 3 closes the original team's X-Factor era, moving through X-Tinction Agenda, Apocalypse, Nathan Christopher and Shadow King pressure before the return to the X-Men fold.
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X-Factor: The Original X-Men Omnibus Vol. 1 reunites Cyclops, Jean, Beast, Iceman and Angel under a new public mission, while young mutants, Apocalypse and the Four Horsemen push the team into darker territory.
Arthur Adams drew relatively little for Marvel and influenced almost everyone who came after. This gathers all of it: the Longshot debut, the X-Men annuals that made his reputation, and a large section of pencils, covers and unused art.
PRH describes this as the final volume of Peter David's ever-evolving X-Factor. The book moves from the endgame of the 2005 series into All-New X-Factor, shifting from survival and loss to a new team model with corporate backing. This is the closing shelf for David's long modern X-Factor project. It is useful for readers who want the run's full shape: investigation, trauma, team collapse and reinvention rather than a simple superhero squad status quo.
Peter David relaunched X-Factor in 2005 as a detective agency staffed by mutants nobody else wanted, working in Mutant Town after House of M cut the population to a few hundred. The Madrox miniseries that opens the volume is a straight noir, and it sets the register: this is a book about people whose powers make ordinary life harder. Layla Miller — 'I'm Layla Miller, I know stuff' — gets her actual explanation here, and David writes Jamie Madrox's duplicates as a genuine identity problem rather than a gimmick.
The first X-Factor omnibus by Peter David covers his original run on the government-sponsored team, the one that turned a book about mutant celebrities into a comedy about therapy. Issue #87 is the famous one: a full issue of the team in mandatory psychiatric evaluation, one character at a time, which is still cited as one of the best single issues Marvel has published. David writes Multiple Man, Strong Guy and Quicksilver as people with jobs and problems, and the run is much funnier than its premise suggests.
X-Factor: The Original X-Men Omnibus Vol. 3 closes the original team's X-Factor era, moving through X-Tinction Agenda, Apocalypse, Nathan Christopher and Shadow King pressure before the return to the X-Men fold.
X-Factor: The Original X-Men Omnibus Vol. 2 drives the reunited team into Inferno-era chaos, with Madelyne Pryor, Nathan, Mister Sinister and the X-Men reunion turning family drama into mutant crisis.
X-Factor: The Original X-Men Omnibus Vol. 1 reunites Cyclops, Jean, Beast, Iceman and Angel under a new public mission, while young mutants, Apocalypse and the Four Horsemen push the team into darker territory.
Peter David omnibus editions are driven by voice, psychology and long continuity, especially Hulk, X-Factor, Spider-Man-adjacent Marvel and character repair.
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Peter David wrote the Hulk for twelve years, longer than anyone, and turned a monster book into a study of dissociation. This second omnibus covers the arrival of the Pantheon and the merging of the Hulk's personalities. This is the run's centre of gravity: Doc Samson finally integrates grey, green and Banner into one person, and David spends the rest of the volume testing whether that holds under the Abomination, the U-Foes, Freedom Force and the returning Leader. Issue #400 is the payoff. If you only own one Peter David Hulk omnibus, it is this one.
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The third Peter David omnibus covers the mid-nineties, when the merged Hulk started coming apart and the book pushed further into science fiction. Future Imperfect is the reason to own this volume: David and George Pérez on a future where the Hulk has become the Maestro, a warlord ruling the ruins of civilisation. It is one of the best-regarded Hulk stories ever published and the direct source of the Maestro that Marvel keeps returning to.
PRH describes this as the final volume of Peter David's ever-evolving X-Factor. The book moves from the endgame of the 2005 series into All-New X-Factor, shifting from survival and loss to a new team model with corporate backing. This is the closing shelf for David's long modern X-Factor project. It is useful for readers who want the run's full shape: investigation, trauma, team collapse and reinvention rather than a simple superhero squad status quo.
Peter David relaunched X-Factor in 2005 as a detective agency staffed by mutants nobody else wanted, working in Mutant Town after House of M cut the population to a few hundred. The Madrox miniseries that opens the volume is a straight noir, and it sets the register: this is a book about people whose powers make ordinary life harder. Layla Miller — 'I'm Layla Miller, I know stuff' — gets her actual explanation here, and David writes Jamie Madrox's duplicates as a genuine identity problem rather than a gimmick.
The first X-Factor omnibus by Peter David covers his original run on the government-sponsored team, the one that turned a book about mutant celebrities into a comedy about therapy. Issue #87 is the famous one: a full issue of the team in mandatory psychiatric evaluation, one character at a time, which is still cited as one of the best single issues Marvel has published. David writes Multiple Man, Strong Guy and Quicksilver as people with jobs and problems, and the run is much funnier than its premise suggests.
This omnibus gathers Peter David's later Hulk work: the stories he returned to write after leaving the monthly title, spread across two decades. The End is the centrepiece: the last man on Earth is Bruce Banner, and he cannot die because the Hulk will not let him. It is eight pages of premise and thirty of consequence, and it is the bleakest thing Marvel has published about the character. The rest of the volume is David revisiting a run he clearly never finished with.
Hulk: Maestro by Peter David Omnibus gathers three decades of the Hulk's darkest what-if. The Maestro is a future Bruce Banner who kept the Hulk's raw power and his own intelligence but lost the conscience that held the monster back. It begins with Future Imperfect (1992), Peter David and George Perez's landmark story where the present-day Hulk is thrown a century forward to face the tyrant he could become, and closes with the modern origin trilogy — Maestro, War and Pax and World War M — that shows exactly how he crossed that line. A complete study of a hero fully embracing villainy.
Peter David wrote the Hulk for twelve years, longer than anyone, and turned a monster book into a study of dissociation. This second omnibus covers the arrival of the Pantheon and the merging of the Hulk's personalities. This is the run's centre of gravity: Doc Samson finally integrates grey, green and Banner into one person, and David spends the rest of the volume testing whether that holds under the Abomination, the U-Foes, Freedom Force and the returning Leader. Issue #400 is the payoff. If you only own one Peter David Hulk omnibus, it is this one.
Spider-Man 2099 Omnibus Vol. 2 collects Peter David's modern return to Miguel O'Hara. Where Vol. 1 was the cyberpunk future, this volume strands the Spider-Man of 2099 in the present day — arriving just as Alchemax, the corporation that will corrupt his future, is being founded, and giving him a chance to change history before it happens. His plan is derailed by the multiversal war of Spider-Verse, and his eventual return home lands him in a 2099 seized by the Maestro. Drawn mainly by Will Sliney, it's a complete, self-contained era of the character now famous from Across the Spider-Verse.
The third Peter David omnibus covers the mid-nineties, when the merged Hulk started coming apart and the book pushed further into science fiction. Future Imperfect is the reason to own this volume: David and George Pérez on a future where the Hulk has become the Maestro, a warlord ruling the ruins of civilisation. It is one of the best-regarded Hulk stories ever published and the direct source of the Maestro that Marvel keeps returning to.
PRH describes this as the final volume of Peter David's ever-evolving X-Factor. The book moves from the endgame of the 2005 series into All-New X-Factor, shifting from survival and loss to a new team model with corporate backing. This is the closing shelf for David's long modern X-Factor project. It is useful for readers who want the run's full shape: investigation, trauma, team collapse and reinvention rather than a simple superhero squad status quo.
Peter David relaunched X-Factor in 2005 as a detective agency staffed by mutants nobody else wanted, working in Mutant Town after House of M cut the population to a few hundred. The Madrox miniseries that opens the volume is a straight noir, and it sets the register: this is a book about people whose powers make ordinary life harder. Layla Miller — 'I'm Layla Miller, I know stuff' — gets her actual explanation here, and David writes Jamie Madrox's duplicates as a genuine identity problem rather than a gimmick.
The first X-Factor omnibus by Peter David covers his original run on the government-sponsored team, the one that turned a book about mutant celebrities into a comedy about therapy. Issue #87 is the famous one: a full issue of the team in mandatory psychiatric evaluation, one character at a time, which is still cited as one of the best single issues Marvel has published. David writes Multiple Man, Strong Guy and Quicksilver as people with jobs and problems, and the run is much funnier than its premise suggests.
This omnibus gathers Peter David's later Hulk work: the stories he returned to write after leaving the monthly title, spread across two decades. The End is the centrepiece: the last man on Earth is Bruce Banner, and he cannot die because the Hulk will not let him. It is eight pages of premise and thirty of consequence, and it is the bleakest thing Marvel has published about the character. The rest of the volume is David revisiting a run he clearly never finished with.
Background. The third X-Factor omnibus covers the run's final years, when Peter David abandoned the detective format for something closer to a supernatural serial.
What’s inside. Collects X-Factor (2005) #40-50 and #200-232, including #224.1, plus Nation X: X-Factor.
Why it’s worth it. The renumbering to #200 marks the shift: demons, Hela, a pregnancy with cosmic implications, and Rahne Sinclair's storyline, which is the bleakest thing in the run. David had been writing these characters for the better part of a decade by this point, and the ending he gives Jamie Madrox pays off material planted in the first volume.
Edition details. Hardcover omnibus. US edition published by Marvel Comics. ISBN 9781302953300.
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Free pickup point or locker delivery, with no minimum order, to France, Spain, Germany, Italy, Portugal, Belgium, the Netherlands, Poland, Luxembourg and Austria. Tracked home delivery costs €14.90 and is free from €250 of products.
Every order is prepared with custom packaging designed to protect oversized omnibus editions. Estimated delivery: 3-9 business days depending on destination.
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Every omnibus leaving our warehouse goes through a manual inspection: dustjacket, spine, pages, and corners. Any defect is noted on the product page or the copy is removed from sale.
Frequently asked questions
Is this the original US edition?
Yes. This is the original USA Marvel Comics edition in English (VO), oversized hardcover, sold new and sealed. ISBN 9781302953300. 1160 pages.
How much is shipping?
Pickup point or locker delivery (InPost / Mondial Relay) is free with no minimum order to France, Spain, Germany, Italy, Portugal, Belgium, the Netherlands, Poland, Luxembourg and Austria. Tracked home delivery costs €14.90 and is free from €250 of products. Every order ships in custom protective packaging designed for oversized omnibus editions.
Can I return it if I change my mind?
Yes, no hassle. You have 14 calendar days from delivery to change your mind. We arrange the return, cover the return shipping and issue a full refund — no questions asked.
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