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Editorial
About this omnibus
Tomb of Dracula ran for seventy issues in the seventies, after the Comics Code was relaxed to allow vampires, and is the best horror comic Marvel has ever published. Marv Wolfman and Gene Colan stayed on the book for its entire run, which almost never happened at Marvel, and the result is a genuine serial: Dracula as the protagonist, a cast of hunters who lose regularly, and Blade's first appearance in #10. Colan's shadows are the reason the book still looks unlike anything else.
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About the character
More from Dracula
Marvel horror icon and central figure of Tomb of Dracula.
The magazine half of Marvel's Dracula project, printed in black and white and written for an adult audience without the constraints of the Comics Code. Longer stories, harder edges, and a different Dracula from the one in the colour series.
The middle and strongest stretch of Marvel's longest-running horror series. Dracula is hunted across Europe while the book turns from monster-of-the-month into a genuine serial novel with a continuing cast. Gene Colan's shadow work here is the reason artists still study this run.
The magazine half of Marvel's Dracula project, printed in black and white and written for an adult audience without the constraints of the Comics Code. Longer stories, harder edges, and a different Dracula from the one in the colour series.
The middle and strongest stretch of Marvel's longest-running horror series. Dracula is hunted across Europe while the book turns from monster-of-the-month into a genuine serial novel with a continuing cast. Gene Colan's shadow work here is the reason artists still study this run.
Marv Wolfman omnibus editions define ensemble melodrama and legacy, especially New Teen Titans, Deathstroke, Crisis-era DC and Bronze Age superhero drama.
The magazine half of Marvel's Dracula project, printed in black and white and written for an adult audience without the constraints of the Comics Code. Longer stories, harder edges, and a different Dracula from the one in the colour series.
The middle and strongest stretch of Marvel's longest-running horror series. Dracula is hunted across Europe while the book turns from monster-of-the-month into a genuine serial novel with a continuing cast. Gene Colan's shadow work here is the reason artists still study this run.
Deathstroke: The Terminator is Slade Wilson before the modern antihero polish, moving through contracts, family damage and the hard-edged DC action of the early 1990s. Marv Wolfman and Steve Erwin make him dangerous because he is not just skilled; he is controlled, compromised and always carrying the cost of his own choices.
The New Titans is the later era of Wolfman's run, after the team had grown up and the book had to work out what adult Titans looked like. The Batman issues are A Lonely Place of Dying, the crossover in which Tim Drake works out Batman's identity and argues his way into the Robin costume — and this volume gives you the Titans half of it, which the Batman collections leave out. It is the best-integrated crossover DC published that decade.
The fifth New Teen Titans omnibus takes Wolfman's run into its later years, when the team had fractured and the survivors were rebuilding. This stretch contains the Titans Hunt build-up and the reintroduction of Danny Chase, and it is where Wolfman starts writing the team as adults with jobs rather than teenagers. Eduardo Barreto's art is the underrated element — cleaner and more grounded than Pérez, and better suited to where the stories had gone.
New Teen Titans Omnibus Vol. 4 follows the later Wolfman/Pérez Titans pressure cooker, shaped by cosmic danger, soap-opera pressure, bruised friendships and young heroes carrying consequences. The appeal is seeing this DC period collected as one reading path, with its own tone, cast and visual rhythm.
The third New Teen Titans omnibus covers the transition from the original series to the second volume, at the height of Marv Wolfman and George Pérez's run. The relaunch into a second series was DC's first direct-market-only title, printed on better paper for comic shops rather than newsstands — a commercial experiment that changed how the industry distributed comics. The stories themselves cover the aftermath of The Judas Contract, which is the run's most famous storyline.
The New Teen Titans by Marv Wolfman and George Pérez was DC's best-selling book of the early eighties and the title that turned sidekicks into leads. The Brother Blood arc is where Wolfman commits to Raven's parentage and the demonic side of the book, and Pérez draws crowd scenes nobody else could stage. This run is also the direct source for every Teen Titans adaptation since, from the cartoon to the live-action series.
The magazine half of Marvel's Dracula project, printed in black and white and written for an adult audience without the constraints of the Comics Code. Longer stories, harder edges, and a different Dracula from the one in the colour series.
The middle and strongest stretch of Marvel's longest-running horror series. Dracula is hunted across Europe while the book turns from monster-of-the-month into a genuine serial novel with a continuing cast. Gene Colan's shadow work here is the reason artists still study this run.
Deathstroke: The Terminator is Slade Wilson before the modern antihero polish, moving through contracts, family damage and the hard-edged DC action of the early 1990s. Marv Wolfman and Steve Erwin make him dangerous because he is not just skilled; he is controlled, compromised and always carrying the cost of his own choices.
The New Titans is the later era of Wolfman's run, after the team had grown up and the book had to work out what adult Titans looked like. The Batman issues are A Lonely Place of Dying, the crossover in which Tim Drake works out Batman's identity and argues his way into the Robin costume — and this volume gives you the Titans half of it, which the Batman collections leave out. It is the best-integrated crossover DC published that decade.
The fifth New Teen Titans omnibus takes Wolfman's run into its later years, when the team had fractured and the survivors were rebuilding. This stretch contains the Titans Hunt build-up and the reintroduction of Danny Chase, and it is where Wolfman starts writing the team as adults with jobs rather than teenagers. Eduardo Barreto's art is the underrated element — cleaner and more grounded than Pérez, and better suited to where the stories had gone.
New Teen Titans Omnibus Vol. 4 follows the later Wolfman/Pérez Titans pressure cooker, shaped by cosmic danger, soap-opera pressure, bruised friendships and young heroes carrying consequences. The appeal is seeing this DC period collected as one reading path, with its own tone, cast and visual rhythm.
The third New Teen Titans omnibus covers the transition from the original series to the second volume, at the height of Marv Wolfman and George Pérez's run. The relaunch into a second series was DC's first direct-market-only title, printed on better paper for comic shops rather than newsstands — a commercial experiment that changed how the industry distributed comics. The stories themselves cover the aftermath of The Judas Contract, which is the run's most famous storyline.
The New Teen Titans by Marv Wolfman and George Pérez was DC's best-selling book of the early eighties and the title that turned sidekicks into leads. The Brother Blood arc is where Wolfman commits to Raven's parentage and the demonic side of the book, and Pérez draws crowd scenes nobody else could stage. This run is also the direct source for every Teen Titans adaptation since, from the cartoon to the live-action series.
Background. Tomb of Dracula ran for seventy issues in the seventies, after the Comics Code was relaxed to allow vampires, and is the best horror comic Marvel has ever published.
What’s inside. Collects Tomb of Dracula #1-31, Werewolf by Night #15, Giant-Size Chillers #1 and Giant-Size Dracula #2-4.
Why it’s worth it. Marv Wolfman and Gene Colan stayed on the book for its entire run, which almost never happened at Marvel, and the result is a genuine serial: Dracula as the protagonist, a cast of hunters who lose regularly, and Blade's first appearance in #10. Colan's shadows are the reason the book still looks unlike anything else.
Edition details. Hardcover omnibus. US edition published by Marvel Comics. ISBN 9781302914158.
Shipping
Free pickup point or locker delivery, with no minimum order, to France, Spain, Germany, Italy, Portugal, Belgium, the Netherlands, Poland, Luxembourg and Austria. Tracked home delivery costs €14.90 and is free from €250 of products.
Every order is prepared with custom packaging designed to protect oversized omnibus editions. Estimated delivery: 3-9 business days depending on destination.
Returns
You have 14 calendar days from delivery to change your mind, no questions asked. Free returns: we cover the return shipping.
Full refund to your original payment method once we receive the return.
Copy verification
Every omnibus leaving our warehouse goes through a manual inspection: dustjacket, spine, pages, and corners. Any defect is noted on the product page or the copy is removed from sale.
Frequently asked questions
Is this the original US edition?
Yes. This is the original USA Marvel Comics edition in English (VO), oversized hardcover, sold new and sealed. ISBN 9781302914158.
How much is shipping?
Pickup point or locker delivery (InPost / Mondial Relay) is free with no minimum order to France, Spain, Germany, Italy, Portugal, Belgium, the Netherlands, Poland, Luxembourg and Austria. Tracked home delivery costs €14.90 and is free from €250 of products. Every order ships in custom protective packaging designed for oversized omnibus editions.
Can I return it if I change my mind?
Yes, no hassle. You have 14 calendar days from delivery to change your mind. We arrange the return, cover the return shipping and issue a full refund — no questions asked.
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