Superman by Grant Morrison Omnibus

Injustice: Gods Among Us Omnibus Volume 1 collects the opening three-year block of the Injustice saga in one huge hardcover, giving DC readers a brutal alternate-universe shelf built around Superman's fall, Batman's resistance and a world under authoritarian pressure.

New Krypton puts Superman in the one situation that can truly destabilize him: a world where he is no longer the last son, but one voice among thousands of Kryptonians with their own politics, pride and wounds. Geoff Johns and Gary Frank help launch a saga where identity, nationhood and family become as dangerous as any villain. This first omnibus is for readers who want Superman pulled between Earth, Krypton and the impossible burden of belonging to both.

The Death and Return of Superman is not just the day Superman falls; it is the whole shockwave after the fall. Doomsday turns the fight into a public wound, Metropolis has to imagine a world without Clark Kent, and four new figures step into the empty space where Superman used to stand. This omnibus keeps the event, grief and rebirth together as one huge DC turning point.

Superman/Batman Omnibus Vol. 2 keeps DC's two biggest icons side by side, using their friendship as the engine for stories that move from intimate trust to huge superhero spectacle. The appeal is contrast: Clark's hope and Bruce's suspicion pulling against each other while the DC universe throws impossible problems at both.

Superman/Batman Omnibus Vol. 1 is built around the simplest DC contrast and one of its strongest: Superman and Batman together, friends despite everything that should make them opposites. Jeph Loeb and Ed McGuinness lean into scale, speed and iconography, making the partnership feel huge without losing the personal spark.

Superman by Phillip Kennedy Johnson Omnibus Vol. 1 gives Clark Kent a modern epic built around legacy, compassion and the impossible pressure of being a symbol that still has to act like a person. The run understands Superman as both cosmic hero and moral presence, with Warworld-scale danger never fully separating him from human tenderness.

Superman: Action Comics by Dan Jurgens Omnibus Vol. 2 continues the Rebirth-era Superman energy with family, legacy and classic superhero pressure all moving at once. Dan Jurgens gives Clark a world where fatherhood, public heroism and old enemies are not separate lives but parts of the same impossible responsibility.

Superman: Our Worlds at War Omnibus Vol. 2 focuses on DC's war-scale Superman event, with Superman shaped by cosmic conflict, grief, heroism under pressure and the cost paid by people around Superman. The appeal is not only continuity; it is watching a specific DC period find its tone, cast and visual rhythm.

JLA by Grant Morrison Omnibus restores the classic League as DC's biggest-response team: Superman, Batman, Wonder Woman, Flash, Green Lantern, Aquaman and Martian Manhunter facing threats built for mythic scale, alien invasion and impossible stakes.

Grant Morrison's Doom Patrol is where superhero comics mutate into dream logic, trauma comedy and philosophical body horror. Robotman, Crazy Jane and the team face threats that feel like ideas wearing costumes, while Brendan McCarthy, Richard Case and the art team make strangeness feel physical. It is the run most readers associate with Doom Patrol's surreal DC identity.

The biggest Phoenix stories of the 21st century collected in one epic 1352-page omnibus. Grant Morrison's New X-Men delivers the devastating Here Comes Tomorrow arc, followed by the Phoenix: Endsong and Warsong limited series that explored the cosmic force's obsession with the Grey bloodline. The centerpiece is the complete Avengers vs. X-Men event, the seismic twelve-issue war that saw five X-Men possessed by the Phoenix Force and fundamentally changed the Marvel Universe. Then comes Dennis Hopeless' Jean Grey solo series, the Generations one-shot bridging past and present, and the triumphant Phoenix Resurrection that finally brought the real Jean Grey back to life. This omnibus tracks how Morrison, Jason Aaron and a generation of writers kept reinventing the Phoenix myth while honoring its emotional core.

New X-Men by Grant Morrison Omnibus drags the mutant concept into the 21st century with school culture, extinction anxiety, body horror and sharp design. Frank Quitely and the art team make the X-Men feel alien again, while Morrison treats mutation less as costume fantasy and more as a social rupture. The edition adds value by keeping the mutant context together: team politics, continuity pressure and character fallout have room to build instead of being reduced to isolated plot points.

Batman by Grant Morrison Omnibus Vol. 3 closes Morrison's Batman project with Batman Incorporated. Bruce Wayne turns Batman into a global network, drawing allies around the world into the fight against Leviathan and pushing the symbol far beyond Gotham.

Batman by Grant Morrison Omnibus Vol. 2 follows the saga after Batman R.I.P., with Dick Grayson and Damian Wayne operating as Batman and Robin while Bruce Wayne fights his way back through time. It collects the middle movement of Morrison's run, where legacy and identity become the main engine of the story.

Batman by Grant Morrison Omnibus Vol. 1 opens Morrison's Batman saga with Batman & Son, The Black Glove and Batman R.I.P. It introduces Damian Wayne, pushes Bruce Wayne through psychological pressure and starts the larger mystery that reshapes the Dark Knight across three omnibus volumes.

The Animal Man Omnibus collects Grant Morrison's complete, career-launching run. Morrison reinvents B-list hero Buddy Baker — a stuntman and family man who draws powers from the "morphogenetic field" — as an animal-rights activist grappling with real ethical weight. The run grows famously metafictional, building to the moment Buddy literally meets his own writer. Blending superheroics with environmental and philosophical themes, it is one of the landmark works that helped seed the Vertigo imprint. Art by Chas Truog, covers by Brian Bolland.