DC Comics

Doom Patrol by Rachel Pollack Omnibus preserves one of DC's strangest post-Morrison continuations, where identity, body, gender, spirituality and surreal danger all remain unstable. Pollack does not simply imitate the previous run; she pushes the team into her own territory, with Dorothy Spinner, the Bandage People and a more intimate kind of weirdness. Its value is historical and tonal: a difficult, singular Doom Patrol era that deserves to sit beside the better-known Morrison material.