Marvel & DC Omnibus

The Clone Saga begins here with the return of Ben Reilly as the Scarlet Spider, setting up one of the most ambitious and controversial publishing sagas in Marvel history. The Jackal returns with his cloning technology and plants the central question: is the Peter Parker who has been Spider-Man for years actually a clone?

J.M. DeMatteis and Sal Buscema deliver Spider-Man's most psychologically complex era. Harry Osborn's tragedy as the second Green Goblin is handled with genuine emotional intelligence: DeMatteis writes mental illness and grief without exploitation. Villains like Vermin, the Chameleon and Shriek are portrayed with genuine human pain beneath their threats.

Spider-Man Vs. Venom Omnibus gathers the rivalry between Peter Parker, Eddie Brock and the symbiote legacy as it spreads through Spider-Man and Venom stories. The focus is the black-suit fallout, Venom's early threat, Carnage-era escalation and the way the conflict turns personal instead of simply monstrous.

Spider-Man by Todd McFarlane Omnibus collects McFarlane's solo Spider-Man title, where his writing and art push the character into a darker, more stylised early-1990s mode. The volume is centred on stories such as Torment, with the Lizard, supernatural atmosphere and exaggerated movement defining the book's identity.

Amazing Spider-Man by David Michelinie and Todd McFarlane Omnibus collects the era where Venom's first full appearance and McFarlane's visual reinvention change the look and energy of Spider-Man. Michelinie builds Eddie Brock and the symbiote's focused hatred, while McFarlane pushes the webs, poses and New York detail into a new late-1980s style.

Spider-Man by Roger Stern Omnibus collects Roger Stern's Spider-Man work across the period that gives the character the Hobgoblin mystery, sharp Peter Parker drama and memorable John Romita Jr. artwork. It is a focused creator-era volume for readers who want Stern's voice on Spider-Man in one oversized collection.

Peter Parker, The Spectacular Spider-Man Omnibus Vol. 1 collects the companion series that lets Spider-Man stay closer to campus life, street-level trouble and the supporting cast around Peter. Bill Mantlo, Gerry Conway and Sal Buscema use the title to explore friendships, smaller villains and the parts of Peter's world that do not always fit inside Amazing Spider-Man.

Amazing Spider-Man by J. Michael Straczynski Omnibus Vol. 1 brings Peter Parker into a 21st-century run built around adult responsibility, Aunt May learning the truth, Ezekiel's mentorship and Morlun's totemic threat. Straczynski and John Romita Jr. push Spider-Man toward questions of myth, intimacy and what his powers mean beyond the old radioactive-spider explanation.

Amazing Spider-Man Omnibus Vol. 7 moves into the Dennis O'Neil and Roger Stern period, with John Romita Jr. helping shape a sharper early-1980s Spider-Man. The volume is built around Peter Parker's next phase, the Hobgoblin mystery and stories that test how much chaos Spider-Man can absorb without losing his human centre.

Amazing Spider-Man Omnibus Vol. 6 continues Peter Parker's late Bronze Age years, with Marv Wolfman, Gerry Conway and Keith Pollard carrying the series through new pressures and new relationships. The arrival of Black Cat gives the run a different kind of danger: flirtation, theft, obsession and trust all tangled together.

Amazing Spider-Man Omnibus Vol. 5 continues Peter Parker's Bronze Age stretch after the first Clone Saga, with Gerry Conway, Roy Thomas and Ross Andru shaping a Spider-Man who feels older, more socially rooted and increasingly defined by relationships. Mary Jane, Aunt May, the Daily Bugle and a changing Marvel New York give the run its texture.

Amazing Spider-Man Omnibus Vol. 4 captures the early Bronze Age shift, with Gerry Conway, Gil Kane and Ross Andru pushing Peter Parker through heavier consequences. The Punisher, the Jackal and the first Clone Saga give the run a sharper edge after the shocks that changed Peter's life.

Amazing Spider-Man Omnibus Vol. 3 keeps the original run moving from the late Stan Lee period into Roy Thomas, with John Romita Sr. and Gil Kane shaping Peter Parker's world. It is a transitional volume: campus life, romance, villains and Marvel New York all keep expanding around Spider-Man.

Amazing Spider-Man Omnibus Vol. 2 moves the original series into the John Romita Sr. era, where Peter Parker's world becomes brighter, more romantic and more socially tangled. Mary Jane Watson steps fully onto the stage, the Kingpin arrives, and Spider-Man's supporting cast starts to feel like a living Marvel soap opera.

Amazing Spider-Man Omnibus Vol. 1 is the foundation of Peter Parker as a different kind of superhero: insecurity, guilt, jokes, money trouble and responsibility all arriving at once. Stan Lee and Steve Ditko introduce the origin, Aunt May, J. Jonah Jameson and the villains who shape Spider-Man's earliest mythology.

Ultimate Spider-Man Omnibus Vol. 4 keeps Brian Michael Bendis' Peter Parker moving through change, new collaborators and heavier choices, while the Ultimate version of Spider-Man grows beyond its opening era.

Ultimate Spider-Man Omnibus Vol. 3 pushes Bendis and Bagley's run toward a major turning point, with Peter Parker's world tightening around friendship, identity, danger and the cost of being Spider-Man.

Ultimate Spider-Man Omnibus Vol. 2 is where Bendis and Bagley prove the Ultimate version can sustain long-form Spider-Man drama, not just retell the origin. Ultimate Venom, Kraven and Peter's wider Marvel contact expand the world without losing teen intimacy. The value is momentum: Bendis and Bagley turning the alternate universe into a sustained Spider-Man shelf through dialogue, consequence and Peter's expanding Marvel world.

Closing of the rotating phase before the start of Dan Slott's Big Time. The writers close their individual arcs and prepare the ground for the next phase: Horizon Labs, Spider-Island and the preparation of Superior Spider-Man. The end of Marvel's most ambitious editorial experiment with the character in decades.

Spider-Man: Brand New Day Omnibus Vol. 1 begins the controversial post-One More Day reset, returning Peter Parker to a single, struggling, unlucky status quo while Amazing Spider-Man shifts to rotating creative teams and rapid publication rhythm. It is messy history, but it is also the rebuild of modern Peter.

Spider-Man by Michelinie & Bagley Omnibus Vol. 2 moves through Maximum Carnage and the chaos around Peter Parker's family, with Carnage assembling killers, Spider-Man forced into uneasy alliances and Venom pulled back into the conflict.

Spider-Man by Michelinie & Larsen Omnibus puts Erik Larsen's kinetic Spider-Man centre stage, with Michelinie's run moving through Sinister Six chaos, Venom pressure and oversized Marvel spectacle.

Spider-Man 2099 Omnibus Vol. 1 throws Peter David and Rick Leonardi's future Spider-Man into a neon Marvel dystopia where corporations, identity and violence have replaced the familiar New York street-level rhythm. Miguel O'Hara is not Peter Parker in a new costume; he is a different kind of Spider-Man, born from a harsher future and forced to turn survival into responsibility.

Peter David returns to the black-suit era with the fun question every symbiote reader asks: what else happened before Peter understood what the costume really was? This omnibus fills that dangerous gap with Mysterio, Hobgoblin, Doctor Strange, Kang, Knull, Hulk, Black Cat trouble and even a 2099 detour for Miguel O'Hara. It is Spider-Man symbiote material with modern pace, old-school continuity hooks and a direct road toward Venom mythology.