Wolverine

Wolverine: Old Man Logan Omnibus follows an older Logan through a ruined future where survival has replaced heroism and the past refuses to stay buried. Mark Millar and Steve McNiven build the story as a western road trip through Marvel wreckage, with Wolverine’s silence carrying as much weight as his claws. For Wolverine collectors, the value is seeing violence treated as history rather than style: Logan’s body heals, but the stories keep asking what memory and guilt do with everything that remains.

Mark Millar's Wolverine run is built around two back-to-back storylines — Enemy of the State and Agent of S.H.I.E.L.D. — that function as a single complete narrative: Wolverine is captured, brainwashed by HYDRA and the Hand, used as a weapon against every Marvel hero he knows, then deprogrammed and turned loose to hunt down everyone responsible. The premise is engineered for maximum action spectacle and John Romita Jr. delivers one of the defining artistic performances of his career — the two-year run moved faster and hit harder than anything Wolverine-related published in years.